"Prinzessin Nofretete (Operette): Zwischenspiel: Lied Nofretete" by Nico Dostal, Chor der Musikalischen Komödie Leipzig, Orchester der Musikalischen Komödie Leipzig, Stefan Klingele had its release date on June 24, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 56 in the song's album "Nico Dostal: Prinzessin Nofretete". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Germany. In terms of popularity, Prinzessin Nofretete (Operette): Zwischenspiel: Lied Nofretete is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prinzessin Nofretete (Operette): Zwischenspiel: Lied Nofretete by Nico Dostal, Chor der Musikalischen Komödie Leipzig, Orchester der Musikalischen Komödie Leipzig, Stefan Klingele having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solemn Moment | John Harry Cacavas | G Major | 3 | 9B | 150 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Konstanze, dich wiederzusehen - O wie ängstlich, o wie feurig - Remastered 2024 | Wolfgang Amadeus Mozart, Walther Ludwig, Peter Klein, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Serenadi - Ständchen | Franz Schubert, Matti Salminen, George de Godzinsky, Studio Orchestra | A Major | 2 | 11B | 82 BPM | ||
Clivia: "Reisen und Wandern" - "Man muss mal ab und zu verreisen" (Kasulke, Chor) | Nico Dostal, Hamburger Rundfunkorchester, Wilhelm Stephan, Kasulke, Chor Des NWDR Hamburg | E♭ Major | 4 | 5B | 77 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Vorspiel | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | ||
23. If you go in you're sure to win | Arthur Sullivan, Thomas Round, John Reed, Donald Adams, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 3 | 12B | 63 BPM | ||
Suor Angelica: Laudata Maria! E sempre sia! | Giacomo Puccini, Elizabeth Gale, Hannah Francis, Della Jones, Dame Joan Sutherland, Isobel Buchanan, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 114 BPM | ||
Gianni Schicchi, Act I: O mio babbino caro | Giacomo Puccini, Giovacchino Forzano, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
Doña Francisquita, Act II: Le Van a Oír (Francisquita, Fernando) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Maria Bayo, Alfredo Kraus | E♭ Major | 2 | 5B | 80 BPM |