Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Maria Bayo, Alfredo Kraus's 'Doña Francisquita, Act II: Le Van a Oír (Francisquita, Fernando)' came out on January 1, 1994. Doña Francisquita, Act II: Le Van a Oír (Francisquita, Fernando) is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. The song is number 10 out of 20 in Doña Francisquita by Amadeo Vives, Maria Bayo, Alfredo Kraus, Raquel Pierotti, Antoni Ros Marbá, Orquesta Sinfonica De Tenerife. Doña Francisquita, Act II: Le Van a Oír (Francisquita, Fernando) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Doña Francisquita, Act II: Le Van a Oír (Francisquita, Fernando) by Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Maria Bayo, Alfredo Kraus is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Barbiere di Siviglia, Act II: Zitti, zitti, piano, piano (Figaro/Conte/Rosina) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi | F Major | 1 | 7B | 142 BPM | ||
Danza del Sable | Grupo de Cantores y Danzas del Ural Balalaikas de Ossipov, Vitali Gnoutov | D Major | 7 | 10B | 96 BPM | ||
El Barberillo de Lavapies, Act II: Enscena y relato de Lamparilla (Guardias, Mancebos y Parroquianos, Lamparilla) | Francisco Asenjo Barbieri, Orquesta Sinfonica De Tenerife, Victor Pablo Pérez, Manuel Lanza | B♭ Major | 2 | 6B | 122 BPM | ||
El Huesped del Sevillano, Acto I: Fiel Espada Triunfadora (Canto a la Espada Toledana) - Remastered | Enrique Reoyo, Juan Ignacio Luca de Tena, Jacinto Guerrero, Marcos Redondo | F Major | 2 | 7B | 163 BPM | ||
Maruxa: "¿Cumpliste Mis Instrucciones?" | Luis Pascual Frutos, Amadeo Vives, Gran Orquesta de Cámara de Madrid | G Major | 5 | 9B | 174 BPM | ||
Aida - Ballet Music | Philharmonia Slavonica, Henry Adolph | F Minor | 1 | 4A | 138 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
La Rosa del Azafrán: "Moniquito, Carmelo y secundarios" | Coros Cantores De Madrid, Gerardo Monreal | F Major | 4 | 7B | 126 BPM | ||
Offenbach : La Périchole : Act 1 "Vous a-t-on dit souvent" [Piquillo, La Périchole] | Jacques Offenbach, Alain Lombard, Orchestre Philharmonique De Strasbourg | E Major | 4 | 12B | 79 BPM | ||
Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM |
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