- BPM
- 89
- Key
- A Major
- Camelot
- 11B
La Damnation de Faust, Op. 24, H. 111, Pt. I: Scène III - Marche hongroise (Hungarian March) - Hector Berlioz, London Symphony Orchestra, Sir Colin Davis Information
- Acousticness
- 81%
- Danceability
- 42%
- Energy
- 11%
- Instrumentalness
- 90%
- Liveness
- 5%
- Loudness
- 58%
- Speechiness
- 3%
- Valence
- 48%
- Popularity
- 0%
- Loudness
- -25.125 dB
Summary
Hector Berlioz, London Symphony Orchestra, Sir Colin Davis made "La Damnation de Faust, Op. 24, H. 111, Pt. I: Scène III - Marche hongroise (Hungarian March)" available on November 30, 2018. With this song being about 5 minutes long, at 5:07, "La Damnation de Faust, Op. 24, H. 111, Pt. I: Scène III - Marche hongroise (Hungarian March)" by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 217 in Berlioz Odyssey: The Complete Colin Davis Recordings by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis. La Damnation de Faust, Op. 24, H. 111, Pt. I: Scène III - Marche hongroise (Hungarian March) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
La Damnation de Faust, Op. 24, H. 111, Pt. I: Scène III - Marche hongroise (Hungarian March) BPM
The tempo marking of La Damnation de Faust, Op. 24, H. 111, Pt. I: Scène III - Marche hongroise (Hungarian March) by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
La Damnation de Faust, Op. 24, H. 111, Pt. I: Scène III - Marche hongroise (Hungarian March) Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 1 in D Major, Op. 25: I. Allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | |
 | The Bartered Bride, Act I Scene V: Introduction. Polka | Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, The Royal Opera Chorus | C Major | 3 | 8B | 103 BPM | |
 | 8 Slavonic Dances, Op.46, B.83: No.6 in D Major (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D Major | 1 | 10B | 110 BPM | |
 | Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Vitalij Kowaljow, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | C Minor | 2 | 5A | 99 BPM | |
 | La Damnation de Faust, Op. 24, H. 111: Pt. III, Scène XI - Le roi de Thulé. "Autrefois un roi de Thulé" | Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Karen Cargill, Sir Simon Rattle | F Major | 0 | 7B | 80 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | |
 | Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | |
 | Pictures At An Exhibition: Samuel Goldenberg And Schmuyle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | D♭ Major | 1 | 3B | 113 BPM | |
 | Harold en Italie, Op. 16: III. Sérénade d'un Montagnard des Abruzzes à sa maîtresse | Hector Berlioz, London Symphony Orchestra, Antoine Tamestit, Valery Gergiev | C Major | 0 | 8B | 112 BPM | |
 | Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: III. Foxtrot | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | G Major | 0 | 9B | 123 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8111181259155273
End: 0.8162293434143066