The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Procession of the Sage (1921 Version)
Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra
Stravinsky: The Rite of Spring & The Firebird Suite
1:07 1958
BPM
84
Key
C Minor
Camelot
5A

Embed

Share Link

The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Procession of the Sage (1921 Version) - Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra Information

Acousticness
92%
Danceability
10%
Energy
63%
Instrumentalness
13%
Liveness
15%
Loudness
84%
Speechiness
4%
Valence
6%
Popularity
Loudness
-9.491 dB

Summary

"The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Procession of the Sage (1921 Version)" by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra was released on 1958. With The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Procession of the Sage (1921 Version) being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Stravinsky: The Rite of Spring & The Firebird Suite". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Procession of the Sage (1921 Version) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Procession of the Sage (1921 Version) BPM

With The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Procession of the Sage (1921 Version) by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Procession of the Sage (1921 Version) Key

This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Enigma Variations: Variation XI. G.R.S - Allegro di molto by Edward Elgar, Sir Colin Davis, London Symphony OrchestraEnigma Variations: Variation XI. G.R.S - Allegro di moltoEdward Elgar, Sir Colin Davis, London Symphony OrchestraD Major210B164 BPM
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto by Gabriel Fauré, Boston Symphony Orchestra, Seiji OzawaPelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi AllegrettoGabriel Fauré, Boston Symphony Orchestra, Seiji OzawaG Major19B88 BPM
Also sprach Zarathustra, Op. 30: Von der Wissenschaft by Richard Strauss, Berliner Philharmoniker, Herbert von KarajanAlso sprach Zarathustra, Op. 30: Von der WissenschaftRichard Strauss, Berliner Philharmoniker, Herbert von KarajanC Major08B82 BPM
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) by Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezConcerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo)Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezD Major110B73 BPM
Symphony No. 2 in C Minor Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender BewegungGustav Mahler, Leonard Bernstein, New York PhilharmonicB Minor010A112 BPM
Chichester Psalms: II. Psalm 23, Psalm 2 vs. 1-4 by Leonard Bernstein, Jeremy Budd, Paul Charrier, Elizabeth Franklin-Kitchen, Thomas Kelly, Victoria Nayler, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin AlsopChichester Psalms: II. Psalm 23, Psalm 2 vs. 1-4Leonard Bernstein, Jeremy Budd, Paul Charrier, Elizabeth Franklin-Kitchen, Thomas Kelly, Victoria Nayler, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin AlsopF♯ Minor011A70 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinD Major310B85 BPM
Four Sea Interludes Op. 33a (from Peter Grimes) (1976 Digital Remaster): II. Sunday Morning (Allegro spiritoso) by Benjamin Britten, André Previn, London Symphony OrchestraFour Sea Interludes Op. 33a (from Peter Grimes) (1976 Digital Remaster): II. Sunday Morning (Allegro spiritoso)Benjamin Britten, André Previn, London Symphony OrchestraA Major211B152 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai by Maurice Ravel, Chiyan Wong, London Symphony Orchestra, Christoph KonczPiano Concerto in G Major, M. 83: II. Adagio assaiMaurice Ravel, Chiyan Wong, London Symphony Orchestra, Christoph KonczE Major012B69 BPM
Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): III. Act III: Scene 2. Opening - Interlude 5 - Act IV: Interlude 6 by Claude Debussy, Berliner Philharmoniker, Claudio AbbadoPelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): III. Act III: Scene 2. Opening - Interlude 5 - Act IV: Interlude 6Claude Debussy, Berliner Philharmoniker, Claudio AbbadoD♭ Major13B74 BPM
ISRC
USSM17200316
Label
L-M Records/RCA Records

Section: 0.6808023452758789

End: 0.6861574649810791