"The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Procession of the Sage (1921 Version)" by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra was released on 1958. With The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Procession of the Sage (1921 Version) being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Stravinsky: The Rite of Spring & The Firebird Suite". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Procession of the Sage (1921 Version) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Procession of the Sage (1921 Version) by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Enigma Variations: Variation XI. G.R.S - Allegro di molto | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | D Major | 2 | 10B | 164 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Also sprach Zarathustra, Op. 30: Von der Wissenschaft | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 82 BPM | ||
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Chichester Psalms: II. Psalm 23, Psalm 2 vs. 1-4 | Leonard Bernstein, Jeremy Budd, Paul Charrier, Elizabeth Franklin-Kitchen, Thomas Kelly, Victoria Nayler, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | F♯ Minor | 0 | 11A | 70 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Four Sea Interludes Op. 33a (from Peter Grimes) (1976 Digital Remaster): II. Sunday Morning (Allegro spiritoso) | Benjamin Britten, André Previn, London Symphony Orchestra | A Major | 2 | 11B | 152 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Chiyan Wong, London Symphony Orchestra, Christoph Koncz | E Major | 0 | 12B | 69 BPM | ||
Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): III. Act III: Scene 2. Opening - Interlude 5 - Act IV: Interlude 6 | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | D♭ Major | 1 | 3B | 74 BPM |
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