Giya Kancheli, Polina Osetinskaya, Julian Milkis's '18 Miniatures for Violin and Piano: No. 7, Cantabile grazioso (Arr. Julian Milkis)' came out on October 21, 2022. The duration of 18 Miniatures for Violin and Piano: No. 7, Cantabile grazioso (Arr. Julian Milkis) is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. 18 Miniatures for Violin and Piano: No. 7, Cantabile grazioso (Arr. Julian Milkis)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giya Kancheli, Polina Osetinskaya, Julian Milkis's "Kancheli: Music for Film and Theatre for Clarinet and Piano" album is number 7 out of 20. On top of that, Russia appears to be the country where this track was created. In terms of popularity, 18 Miniatures for Violin and Piano: No. 7, Cantabile grazioso (Arr. Julian Milkis) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 18 Miniatures for Violin and Piano: No. 7, Cantabile grazioso (Arr. Julian Milkis) by Giya Kancheli, Polina Osetinskaya, Julian Milkis to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
Suite in E Minor: V. Les rappel des Oiseaux | Jean-Philippe Rameau, Sarah O'Brien | F Major | 0 | 7B | 104 BPM | ||
Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Ruth Slenczynska | D♭ Major | 0 | 3B | 70 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | ||
Jocelyn, Op. 100: Berceuse (Arr. for Piano 4 Hands) | Benjamin Godard, Zeynep Ucbasaran, Sergio Gallo | F Major | 0 | 7B | 134 BPM | ||
15 Pieces, Op. 3: Prelude | Gabriel Pierné, Hae Won Chang | C Minor | 0 | 5A | 83 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM | ||
Lieder ohne Worte, Op. 30/6: Allegretto tranquillo "Venetianisches Gondellied" | Felix Mendelssohn, Javier Perianes | F♯ Minor | 0 | 11A | 131 BPM |
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