Giya Kancheli, Polina Osetinskaya, Julian Milkis's '18 Miniatures for Violin and Piano: No. 7, Cantabile grazioso (Arr. Julian Milkis)' came out on October 21, 2022. The duration of 18 Miniatures for Violin and Piano: No. 7, Cantabile grazioso (Arr. Julian Milkis) is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. 18 Miniatures for Violin and Piano: No. 7, Cantabile grazioso (Arr. Julian Milkis)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giya Kancheli, Polina Osetinskaya, Julian Milkis's "Kancheli: Music for Film and Theatre for Clarinet and Piano" album is number 7 out of 20. On top of that, Russia appears to be the country where this track was created. In terms of popularity, 18 Miniatures for Violin and Piano: No. 7, Cantabile grazioso (Arr. Julian Milkis) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 18 Miniatures for Violin and Piano: No. 7, Cantabile grazioso (Arr. Julian Milkis) by Giya Kancheli, Polina Osetinskaya, Julian Milkis to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Ave María (Arr. Víkingur Ólafsson) - Upright Piano | Sigvaldi Kaldalóns, Víkingur Ólafsson | E♭ Major | 0 | 5B | 101 BPM | ||
The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | ||
Suite No. 2 in F Major, HWV 427: I. Adagio | George Frideric Handel, Seong-Jin Cho | F Major | 0 | 7B | 129 BPM | ||
Simple Music for Piano, N. 1 (Theme From "King Lear") | Giya Kancheli, Alessandro Stella | E♭ Major | 0 | 5B | 72 BPM | ||
Nocturne Op. 27, No. 2 | Frédéric Chopin, Khatia Buniatishvili | F Major | 3 | 7B | 80 BPM | ||
Exil (1994): 3. Zähle die Mandeln | Giya Kancheli, Maacha Deubner, Natalia Paschenitschnikova, Catrin Demenga, Ruth Killius, Rebecca Firth, Christian Sutter, Wladimir Jurowski | C Major | 0 | 8B | 102 BPM | ||
Kinderszenen, Op. 15: No. 10 Fast zu ernst | Robert Schumann, Wilhelm Kempff | G Major | 0 | 9B | 69 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM |
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