"Exil (1994): 3. Zähle die Mandeln" by Giya Kancheli, Maacha Deubner, Natalia Paschenitschnikova, Catrin Demenga, Ruth Killius, Rebecca Firth, Christian Sutter, Wladimir Jurowski was released on October 1, 1995. Since Exil (1994): 3. Zähle die Mandeln is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Giya Kancheli, Maacha Deubner, Natalia Pschenitschnikova, Catrin Demenga, Ruth Killius, Rebecca Firth, Christian Sutter, Wladimir Jurowski's "Kancheli: Exil" album is number 3 out of 5. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Exil (1994): 3. Zähle die Mandeln is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Exil (1994): 3. Zähle die Mandeln by Giya Kancheli, Maacha Deubner, Natalia Paschenitschnikova, Catrin Demenga, Ruth Killius, Rebecca Firth, Christian Sutter, Wladimir Jurowski to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto) | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
Aboriginal Lullaby | Traditional, Amy Dickson | B♭ Major | 0 | 6B | 73 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
The Arts and the Hours | Jean-Philippe Rameau, Víkingur Ólafsson | D♭ Major | 0 | 3B | 136 BPM | ||
Three Visions: II. Summerland | William Grant Still, Natalie Hinderas | G Major | 0 | 9B | 68 BPM | ||
Nocturne No. 2 in C Minor, H.25 | John Field, Elizabeth Joy Roe | C Minor | 1 | 5A | 80 BPM | ||
Album for the Young, Op. 39: No. 3. Mamma (Maman) | Pyotr Ilyich Tchaikovsky, Carol Rosenberger | G Major | 0 | 9B | 87 BPM | ||
Chaconne in sol maggiore : Variazione 10 | Lazar Berman | G Minor | 0 | 6A | 71 BPM | ||
გზები | გია ყანჩელი, The Georgian Six | G Minor | 2 | 6A | 80 BPM | ||
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM |
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