Georges Bizet, Seiji Ozawa, Orchestre National De France's 'Carmen Suite No. 2: II. Habanera' came out on March 21, 2020. The duration of Carmen Suite No. 2: II. Habanera is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Carmen Suite No. 2: II. Habanera's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "The Best of French Classical Music". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Carmen Suite No. 2: II. Habanera's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Carmen Suite No. 2: II. Habanera by Georges Bizet, Seiji Ozawa, Orchestre National De France having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | E♭ Major | 2 | 5B | 99 BPM | ||
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo Yamada | E♭ Major | 1 | 5B | 84 BPM | ||
Le docteur Miracle: Scene 1: Trio: La drole de musique (Laurette, Le Podestat, Veronique) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | A Major | 1 | 11B | 82 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Jazz Suite No. 2: IV. Waltz 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 109 BPM | ||
L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): L'arlesienne, Suite No. 2: II. Intermezzo | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Ádám Medveczky | E♭ Major | 0 | 5B | 68 BPM |
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