George Gershwin, Jon Nakamatsu's '3 Preludes: I. Allegro ben ritmato e deciso' came out on October 9, 2007. With 3 Preludes: I. Allegro ben ritmato e deciso being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Gershwin, Jon Nakamatsu's "Gershwin: 3 Preludes" album is number 1 out of 3. On top of that, United States appears to be the country where this track was created. In terms of popularity, 3 Preludes: I. Allegro ben ritmato e deciso is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3 Preludes: I. Allegro ben ritmato e deciso by George Gershwin, Jon Nakamatsu to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Song Book: Liza. Languidly | George Gershwin, Frank Braley | B♭ Minor | 0 | 3A | 99 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Nocturnes, Op. 9: No. 3 in B Major | Frédéric Chopin, Arthur Rubinstein | F♯ Major | 0 | 2B | 166 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): III. Andante moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Piano Sonata No. 7 in B-Flat Major, Op. 83: 3. Precipitato | Sergei Prokofiev, Yuja Wang | A♭ Major | 3 | 4B | 93 BPM | ||
Hungarian Rhapsody No.6 in D-Flat Major, S. 244 | Franz Liszt, Martha Argerich | D♭ Major | 3 | 3B | 127 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
3 Small Tone Poems: No. 1. Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D Major | 0 | 10B | 90 BPM |
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