On January 22, 2016, the song "Corelli / Arr Donington: Violin Sonata Op. 5 No. 7 in D Minor: IV. Giga (Allegro)" was released by Arcangelo Corelli, Yehudi Menuhin. The duration of Corelli / Arr Donington: Violin Sonata Op. 5 No. 7 in D Minor: IV. Giga (Allegro) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Corelli / Arr Donington: Violin Sonata Op. 5 No. 7 in D Minor: IV. Giga (Allegro)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 34 out of 53 in Corelli: 12 Violin Sonatas, Op. 5 by Arcangelo Corelli, Yehudi Menuhin. In terms of popularity, Corelli / Arr Donington: Violin Sonata Op. 5 No. 7 in D Minor: IV. Giga (Allegro) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Corelli / Arr Donington: Violin Sonata Op. 5 No. 7 in D Minor: IV. Giga (Allegro) by Arcangelo Corelli, Yehudi Menuhin is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: III. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 123 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante | Johann Sebastian Bach, Monica Huggett, Rachel Beckett, Marion Scott, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 116 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Concerto grosso in F, Op.6, No.2 - Rev. Vittorio Negri (1923- ): 1. Vivace - Allegro - Adagio - Vivace - Allegro - Largo andante | Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Guy Bovet, I Musici | D Major | 5 | 10B | 125 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM |
Section: 1.0076494216918945
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