"Die verkaufte Braut, JB 1:100, Act I: "Mit der Mutter sank zu Grabe"" by Staatskapelle Dresden, Otmar Suitner, Anny Schlemm, Rolf Apreck was released on 1965. Since Die verkaufte Braut, JB 1:100, Act I: "Mit der Mutter sank zu Grabe" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Smetana: Die verkaufte Braut (Highlights - Sung in German)". In this album, this song's track order is #3. In terms of popularity, Die verkaufte Braut, JB 1:100, Act I: "Mit der Mutter sank zu Grabe" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die verkaufte Braut, JB 1:100, Act I: "Mit der Mutter sank zu Grabe" by Staatskapelle Dresden, Otmar Suitner, Anny Schlemm, Rolf Apreck having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes: No. 1. Nuages | Claude Debussy, MDR Leipzig Radio Chorus, Leipzig Radio Symphony Orchestra, Max Pommer | C Major | 0 | 8B | 76 BPM | ||
Konzert für zwei Hörner, Streicher und Basso continuo F-Dur, Op. 48 No. 6, RV 539: I. Allegro | Antonio Vivaldi, Peter Damm, István Vincze, Staatskapelle Dresden, Siegfried Kurz | F Major | 1 | 7B | 78 BPM | ||
St Anthony Variations, Op. 56a "Haydn Variations": Var. 5. Vivace | Johannes Brahms, Staatskapelle Dresden, Claudio Abbado | D Minor | 0 | 7A | 82 BPM | ||
España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
La Damnation de Faust, Op. 24 / Part 1: Marche hongroise | Hector Berlioz, Orchestre des Concerts Lamoureux, Igor Markevitch | A Minor | 4 | 8A | 102 BPM | ||
Elektra, Op. 58, TrV 223: "Was willst du, fremder Mensch?" | Richard Strauss, Inge Borkh, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM |
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