Elektra, Op. 58, TrV 223: "Was willst du, fremder Mensch?" - Richard Strauss, Inge Borkh, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Karl Böhm Information

Acousticness: 92%
Danceability: 14%
Energy: 52%
Instrumentalness: 14%
Liveness: 32%
Loudness: 84%
Speechiness: 5%
Valence: 4%
Popularity: 1%
Loudness: -9.776 dB

Summary

"Elektra, Op. 58, TrV 223: "Was willst du, fremder Mensch?"" by Richard Strauss, Inge Borkh, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Karl Böhm was released on January 1, 1961. Elektra, Op. 58, TrV 223: "Was willst du, fremder Mensch?" is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. There are a total of 27 in the song's album "Strauss: Elektra". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. The popularity of Elektra, Op. 58, TrV 223: "Was willst du, fremder Mensch?" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Elektra, Op. 58, TrV 223: "Was willst du, fremder Mensch?" BPM

With Elektra, Op. 58, TrV 223: "Was willst du, fremder Mensch?" by Richard Strauss, Inge Borkh, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Karl Böhm having a BPM of 179 with a half-time of 90 BPM and a double-time of 358 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Elektra, Op. 58, TrV 223: "Was willst du, fremder Mensch?" Key

This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Andante Festivo	Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	1	9B	86 BPM
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	B♭ Major	1	6B	155 BPM
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino	Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski	E Major	1	12B	95 BPM
Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio	Gustav Holst, Ulster Orchestra, Joann Falletta	F Major	1	7B	104 BPM
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	B♭ Major	2	6B	92 BPM
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction	Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra	A Major	1	11B	103 BPM
Don Quixote, Op. 35, TrV 184: XI. Var. 8. Gemächlich	Richard Strauss, Yo-Yo Ma, Steven Ansell, Boston Symphony Orchestra, Andris Nelsons	B Major	1	1B	85 BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": IV. Saltarello. Presto	Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado	A Minor	1	8A	100 BPM
El sombrero de tres picos, Pt. 1: III. Danza de la molinera	Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas	D Major	1	10B	121 BPM
Don Quixote, Op. 35, TrV 184: Introduction	Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock	D Major	1	10B	92 BPM

ISRC: DEF056031016
Label: L-M Records/RCA Records

Section: 0.7473032474517822

End: 0.7515029907226562