Igor Stravinsky, Esa-Pekka Salonen's 'Petrushka - Burlesque in Four Scenes (1947 Version): Scene IV: Wet-Nurses' Dance' came out on 1989. The duration of Petrushka - Burlesque in Four Scenes (1947 Version): Scene IV: Wet-Nurses' Dance is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Petrushka - Burlesque in Four Scenes (1947 Version): Scene IV: Wet-Nurses' Dance's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 163 in Esa-Pekka Salonen Conducts Stravinsky by Igor Stravinsky, Esa-Pekka Salonen. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Petrushka - Burlesque in Four Scenes (1947 Version): Scene IV: Wet-Nurses' Dance's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Petrushka - Burlesque in Four Scenes (1947 Version): Scene IV: Wet-Nurses' Dance by Igor Stravinsky, Esa-Pekka Salonen is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | D Major | 2 | 10B | 105 BPM | ||
Fontane di Roma (The Fountains of Rome): II. La fontana del Tritone mattino | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 96 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Nocturnes, L. 91: 1. Nuages | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: XXII. Nacht (II) | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | B Major | 0 | 1B | 90 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | ||
Violin Concerto In D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | A♭ Major | 1 | 4B | 177 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM |
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