"Morales: Medieval & Rennaissance Songs of Andalusia: Si no's huviera mirado" by Cristobal de Morales, Jordi Savall was released on March 2, 2018. The duration of Morales: Medieval & Rennaissance Songs of Andalusia: Si no's huviera mirado is about 3 minutes long, at 3:14. Based on our data, "Morales: Medieval & Rennaissance Songs of Andalusia: Si no's huviera mirado" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 20 out of 195 in España Eterna by Jordi Savall. In terms of popularity, Morales: Medieval & Rennaissance Songs of Andalusia: Si no's huviera mirado is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Morales: Medieval & Rennaissance Songs of Andalusia: Si no's huviera mirado by Cristobal de Morales, Jordi Savall is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 33b | Jón Leifs, Schola Cantorum Reykjavicensis, Hörður Áskelsson | A♭ Major | 0 | 4B | 140 BPM | ||
Missa O lumen ecclesie: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F Major | 1 | 7B | 76 BPM | ||
Hvíld | Hugi Guðmundsson, Schola Cantorum Reykjavicensis, Hörður Áskelsson | A Minor | 0 | 8A | 72 BPM | ||
Ave Maris Stella: I | Emily Dickens, Apollo5 | D Major | 0 | 10B | 63 BPM | ||
Eight Part-songs, Op. 119: The Bluebird | Charles Villiers Stanford, Choir of New College, Oxford, Edward Higginbottom | F♯ Major | 0 | 2B | 176 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
Toutes les nuictz | Clément Janequin, Ensemble Clément Janequin, Dominique Visse | E Major | 0 | 12B | 98 BPM | ||
Call to remembrance | Richard Farrant, Choir of Clare College, Cambridge, Graham Ross | F Minor | 1 | 4A | 81 BPM | ||
Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 2 | 5B | 122 BPM | ||
Antiphon Caritas habundant in omnia | Hildegard von Bingen, Anonymous 4 | F Minor | 0 | 4A | 125 BPM |
Section: 0.576664924621582
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