"Messager: The Two Pigeons, Act 1: The Young Man Sees the Gypsies Outside and Invites Them In" by André Messager, Bournemouth Symphony Orchestra, John Lanchbery was released on January 1, 1984. With Messager: The Two Pigeons, Act 1: The Young Man Sees the Gypsies Outside and Invites Them In being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in André Messager, Bournemouth Symphony Orchestra, John Lanchbery's "Messager: Les deux pigeons" album is number 5 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Messager: The Two Pigeons, Act 1: The Young Man Sees the Gypsies Outside and Invites Them In's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messager: The Two Pigeons, Act 1: The Young Man Sees the Gypsies Outside and Invites Them In by André Messager, Bournemouth Symphony Orchestra, John Lanchbery to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
Othello, Op. 79: III. Willow Song | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | A♭ Major | 0 | 4B | 73 BPM | ||
The Birds, P. 154: IV. The Nightingale (L'usignolo) | Ottorino Respighi, Orpheus Chamber Orchestra | C Major | 0 | 8B | 85 BPM | ||
Véronique - opéra comique / Acte I: Dialogue 1 | André Messager, Pierre Dervaux, Orchestre Pierre Dervaux, Choeur De Pierre Dervaux, Genevieve Moizan, Geori Boue, Mary Marquet, Robert Destain, Roger Bourdin, Max De Rieux, Marcel Carpentier, Sophie Mallet, Jackie Sardou, Chantal De Rieux, Roland Bourdin, Micheline Castellier, Claude Jourdain | B♭ Major | 3 | 6B | 102 BPM | ||
Il est dans les nuits espagnoles (La Fiancée en Loterie) | André Messager, Fatma Said, Sascha Goetzel, Orchestre Philharmonique de Monte-Carlo | C Major | 1 | 8B | 116 BPM | ||
Mendelssohn: Concert Piece No. 2 in D Minor, Op. 114, MWV Q24: I. Presto | Felix Mendelssohn, Sabine Meyer, Wolfgang Meyer, Kenneth Sillito, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 116 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
Ancient Airs And Dances, Suite No.1, [P. 109]: 2. Gagliarda | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 93 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Fünf Lieder: Ich Wandle Unter Blumen | Alma Mahler, Barbara Hannigan, Reinbert de Leeuw | F♯ Major | 0 | 2B | 75 BPM |
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