André Messager, Pierre Dervaux, Orchestre Pierre Dervaux, Choeur De Pierre Dervaux, Genevieve Moizan, Geori Boue, Mary Marquet, Robert Destain, Roger Bourdin, Max De Rieux, Marcel Carpentier, Sophie Mallet, Jackie Sardou, Chantal De Rieux, Roland Bourdin, Micheline Castellier, Claude Jourdain made "Véronique - opéra comique / Acte I: Dialogue 1" available on January 1, 2000. The duration of Véronique - opéra comique / Acte I: Dialogue 1 is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Véronique - opéra comique / Acte I: Dialogue 1's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in André Messager, Pierre Dervaux, Orchestre Pierre Dervaux, Geori Boue, Roger Bourdin, Mary Marquet, Genevieve Moizan, Robert Destain's "Messager - Véronique" album is number 6 out of 29. On top of that, France appears to be the country where this track was created. In terms of popularity, Véronique - opéra comique / Acte I: Dialogue 1 is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Véronique - opéra comique / Acte I: Dialogue 1 by André Messager, Pierre Dervaux, Orchestre Pierre Dervaux, Choeur De Pierre Dervaux, Genevieve Moizan, Geori Boue, Mary Marquet, Robert Destain, Roger Bourdin, Max De Rieux, Marcel Carpentier, Sophie Mallet, Jackie Sardou, Chantal De Rieux, Roland Bourdin, Micheline Castellier, Claude Jourdain to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madame Chrysanthème: Le jour sous le soleil béni | André Messager, Sumi Jo, English Chamber Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 76 BPM | ||
Souvenirs de Bayreuth (After Wagner's Der Ring des Nibelungen, WWV 86): III. — | Gabriel Fauré, André Messager, Pierre-Alain Volondat, Patrick de Hooghe | E♭ Major | 1 | 5B | 114 BPM | ||
Polovtsian Dances from Prince Igor: VI. Moderato alla breve | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
Donizetti: Anna Bolena, Act 2: "Cielo, a'miei lunghi spasimi" (Anna, Percy, Rochefort, Smeton) | Gaetano Donizetti, Diana Damrau, Domenico Pellicola, Fabrizio Beggi, Sara Rocchi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 0 | 9B | 82 BPM | ||
Valse triste, Op. 44 No. 1 | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A Minor | 2 | 8A | 143 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1b. Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | D♭ Major | 0 | 3B | 80 BPM | ||
Harold en Italie, Op. 16, H 68: II. Marche des pélerins chantant la prière du soir | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Tabea Zimmerman | E Major | 0 | 12B | 87 BPM | ||
Souvenirs de Bayreuth (After Wagner's Der Ring des Nibelungen, WWV 86): I. — | Gabriel Fauré, André Messager, Pierre-Alain Volondat, Patrick de Hooghe | E♭ Major | 1 | 5B | 114 BPM | ||
Norwegian Dances, Op. 35: III. Allegro moderato alla Marcia (Arr. H. Sitt for orchestra) | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | D Major | 1 | 10B | 104 BPM | ||
Vallflickans Dance (Dance of the Shepherdess from the ballet-pantomime Bergakungen, Op. 37) | Hugo Alfvén, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra | G Major | 1 | 9B | 147 BPM |
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