Wolfgang Amadeus Mozart, Gewandhaus-Kammerchor, Leipziger Kammerorchester, Morten Schuldt-Jensen's 'Requiem in D Minor, K. 626 (Completed F.X. Süssmayr): Sequence: III. Rex tremendae majestatis' came out on 2005. With Requiem in D Minor, K. 626 (Completed F.X. Süssmayr): Sequence: III. Rex tremendae majestatis being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Morten Schuldt-Jensen, Leipziger Kammerorchester, Anne Buter, Gewandhaus-Kammerchor's "Mozart: Requiem in D Minor, K. 626" album is number 5 out of 14. On top of that, United States appears to be the country where this track was created. In terms of popularity, Requiem in D Minor, K. 626 (Completed F.X. Süssmayr): Sequence: III. Rex tremendae majestatis is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Requiem in D Minor, K. 626 (Completed F.X. Süssmayr): Sequence: III. Rex tremendae majestatis by Wolfgang Amadeus Mozart, Gewandhaus-Kammerchor, Leipziger Kammerorchester, Morten Schuldt-Jensen to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D Minor, K. 626: III. Sequenz, No. 6, Lacrymosa | Wolfgang Amadeus Mozart, Andrej Kucharsky, Catherine Bremen, Elisabeth Santi, Todd Donovan, London Philharmonic Choir, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 96 BPM | ||
Horn Concerto No. 3 In E Flat Major, K. 447: III. Allegro | Milos Stevove, Capella Istropolitana, Wolfgang Amadeus Mozart | E♭ Major | 3 | 5B | 109 BPM | ||
The Magic Flute, K. 620, Act II: Pa-Pa-Pa-Pa-Pa-Pa-Papagena! | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | G Major | 2 | 9B | 112 BPM | ||
Die Jahreszeiten, Hob. XXI:3, Der Frühling: VIII. Freudenlied mit abwechselndem Chor der Jugend, "Oh, wie lieblich ist der Anblick" | Franz Joseph Haydn, Christina Landshamer, Maximilian Schmitt, Florian Boesch, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 1 | 10B | 68 BPM | ||
Piano Sonata No. 13 In B Flat Major, K. 333: II. Andante Cantabile | Jenő Jandó, Wolfgang Amadeus Mozart | E♭ Major | 0 | 5B | 96 BPM | ||
Die Zauberflöte, K. 620 / Act 1: "Ha! Hab' ich euch noch erwischt!" | Wolfgang Amadeus Mozart, Rolando Villazón, Christiane Karg, Paul Schweinester, RIAS Kammerchor, Justin Doyle, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 2 | 9B | 132 BPM | ||
Requiem in D minor, K.626: Amen | Wolfgang Amadeus Mozart, Westminster Cathedral Choir, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | F Major | 2 | 7B | 128 BPM | ||
Requiem In D Minor, K. 626: Communion: Lux Aeterna | Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | B♭ Major | 2 | 6B | 89 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 6: Terzetto - Susanna, Or Via Sortite? | Donato Di Stefano, Maria Pia Ionata, Roberto Frontali, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Ingrid Kertesi, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | C Major | 2 | 8B | 73 BPM | ||
Requiem in D minor, K.626: 6. Benedictus | Wolfgang Amadeus Mozart, Sylvia McNair, Robert Lloyd, Francisco Araiza, Carolyn Watkinson, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 82 BPM |
Section: 0.5675458908081055
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