On March 27, 2012, the song "Phaëton, LWV 61: Air pour les Égyptiens "L'ete"" was released by Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon. With Phaëton, LWV 61: Air pour les Égyptiens "L'ete" being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "The Galileo Project: Music of the Spheres". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Canada. Based on our statistics, Phaëton, LWV 61: Air pour les Égyptiens "L'ete"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Phaëton, LWV 61: Air pour les Égyptiens "L'ete" by Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les plaisirs: Air pour le Vieillard et sa Famille | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 118 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 152 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XII. [Alla Hornpipe] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 132 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM | ||
Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
Prélude pour Mr. Vaquelin (Improvisation d'après le Prélude en Sol mineur de Mr. de Sainte Colombe le fils) | Monsieur de Sainte-Colombe, Jordi Savall | D♭ Minor | 0 | 12A | 49 BPM | ||
Dies irae, LWV 64/1: Rex tremendae majestatis | Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Thibaut Lenaerts, Alain Buet | F Minor | 3 | 4A | 100 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Le bourgeois gentilhomme, LWV 43, Act II Scene 5: Deuxième Air des Garçons Tailleurs | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Zachary Wilder, Thibault de Damas, Nicholas Scott | B♭ Major | 5 | 6B | 103 BPM | ||
Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM |
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