"Parsifal / Act 1: Auszug der Ritter - "Was stehst du noch da?"" by Richard Wagner, Franz-Josef Selig, Janina Baechle, Vienna State Opera Orchestra, Christian Thielemann, Vienna State Opera Chorus was released on January 1, 2006. The duration of Parsifal / Act 1: Auszug der Ritter - "Was stehst du noch da?" is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Parsifal / Act 1: Auszug der Ritter - "Was stehst du noch da?"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Parsifal by Richard Wagner, Vienna State Opera Orchestra, Christian Thielemann. The song's track number on the album is #8 out of 44 tracks. Based on our data, Germany was the country where this track was produced or recorded. Parsifal / Act 1: Auszug der Ritter - "Was stehst du noch da?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Parsifal / Act 1: Auszug der Ritter - "Was stehst du noch da?" by Richard Wagner, Franz-Josef Selig, Janina Baechle, Vienna State Opera Orchestra, Christian Thielemann, Vienna State Opera Chorus has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Parsifal / Act 1: Auszug der Ritter - "Was stehst du noch da?" being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieutenant Kijé, Symphonic Suite, Op.60: 2. Romance | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 109 BPM | ||
Wagner: Lohengrin, WWV 75, Act 1: Prelude (Langsam) | Richard Wagner, Wiener Philharmoniker, Rudolf Kempe | A Major | 0 | 11B | 68 BPM | ||
Symphony No. 9 in D Minor, Op. 125: IVa. Presto | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | D Major | 0 | 10B | 82 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | G Major | 2 | 9B | 112 BPM | ||
Bizet: Carmen, Act 2: "Votre toast, je peux vouz le rendre"/ "Toréador, en garde!" (Escamillo, Carmen, Frasquita, Mercédès, Moralès, Zuniga) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Christian Van Horn, Christina Landshammer, Kostas Smoriginas, Magdalena Kozená, Rachel Frenkel | F Major | 2 | 7B | 111 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | B Major | 0 | 1B | 105 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Peter Grimes, Op.33 / Act 1: Interlude II: The Storm | Benjamin Britten, Orchestra of the Royal Opera House, Covent Garden | E Major | 4 | 12B | 102 BPM |
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