Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari made "Scaramouche, Op. 165c: I. Vif" available on July 1, 1991. The duration of Scaramouche, Op. 165c: I. Vif is about 3 minutes long, at 3:05. Based on our data, "Scaramouche, Op. 165c: I. Vif" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Sohre Rahbari's "Milhaud: Scaramouche / Glazunov: Saxophone Concerto / Ibert: Concertino Da Camera" album is number 1 out of 9. Based on our statistics, Scaramouche, Op. 165c: I. Vif's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Scaramouche, Op. 165c: I. Vif by Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
Symphony No. 9 in E Minor Op. 95 "from the New World": I. Adagio - Allegro molto | Antonín Dvořák, Ferenc Fricsay, Berliner Philharmoniker | A Minor | 2 | 8A | 116 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Sonatina for Violin & Piano, Op. 6: II. Sempre senza vibrato | Heinz Roemheld, Patrick Savage, Martin Cousin | D♭ Major | 1 | 3B | 92 BPM | ||
Ibert: 3 Pièces brèves: III. Assez lent - Allegro Scherzando | Jacques Ibert, Les Vents Français, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | B Major | 1 | 1B | 78 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1b. Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | D♭ Major | 0 | 3B | 80 BPM | ||
Suite de danzas criollas, Op. 15 (2nd version): I. Adagietto pianissimo | Alberto Ginastera, Fernando Viani | C Major | 0 | 8B | 129 BPM | ||
Scaramouche Suite: 3. Brazileira | Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | F Major | 4 | 7B | 92 BPM | ||
Clarinet Sonata, FP 184: Romanza: Tres calme | Francis Poulenc, Ronald Van Spaendonck, Alexandre Tharaud | G Minor | 0 | 6A | 68 BPM |
Section: 0.8249211311340332
End: 0.8309621810913086