Alessandro Scarlatti, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro made "Scarlatti, A: Il Pirro e Demetrio, Act 2: "Fra gl'assalti di Cupido" (Pirro)" available on November 8, 2019. The duration of Scarlatti, A: Il Pirro e Demetrio, Act 2: "Fra gl'assalti di Cupido" (Pirro) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Scarlatti, A: Il Pirro e Demetrio, Act 2: "Fra gl'assalti di Cupido" (Pirro)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 18 in Facce d'amore by Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro. Based on our statistics, Scarlatti, A: Il Pirro e Demetrio, Act 2: "Fra gl'assalti di Cupido" (Pirro)'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Scarlatti, A: Il Pirro e Demetrio, Act 2: "Fra gl'assalti di Cupido" (Pirro) by Alessandro Scarlatti, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro is Allegro (fast, quick, and bright), since this song has a tempo of 152 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fago: Tam non splendet sol creatus: IV. "Alleluia" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 4 | 12B | 124 BPM | ||
Purcell : King Arthur : Act 3 "Great love, I know thee now" [Bass] | William Christie | E♭ Major | 1 | 5B | 78 BPM | ||
La serva padrona: Stizzoso, mio stizzoso | Giovanni Battista Pergolesi, Anna Moffo, Franco Ferraras, Orchestra Filarmonica Di Roma | F Major | 3 | 7B | 140 BPM | ||
Purcell : King Arthur : Act 5 Chaconne | William Christie | E♭ Major | 0 | 5B | 125 BPM | ||
Provenzale: Lo schiavo di sua moglie: "Non posso far" (Lucillo) | Francesco Provenzale, Lea Desandre, jupiter_BRKN, Thomas Dunford | D♭ Major | 3 | 3B | 136 BPM | ||
Fago: Tam non splendet sol creatus: I. "Tam non splendet sol creatus" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 3 | 12B | 120 BPM | ||
Heinichen: Alma Redemptoris Mater, S. 22: II. "Tu quae genuisti" | Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Minor | 1 | 12A | 67 BPM | ||
Pergolesi: Confitebor: IV. Redemptionem misit | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 2 | 11A | 120 BPM | ||
Scarlatti,A: La Giuditta: "Ardea di fiamma impura" (Nutrice, Oloferne) | Alessandro Scarlatti, Philippe Jaroussky, Yannis François | B Major | 1 | 1B | 169 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Mille pene" (Orfeo) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 91 BPM |
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