Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro made "Fago: Tam non splendet sol creatus: I. "Tam non splendet sol creatus"" available on October 26, 2018. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 23 in Anima Sacra by Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro. Based on our statistics, Fago: Tam non splendet sol creatus: I. "Tam non splendet sol creatus"'s popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Fago: Tam non splendet sol creatus: I. "Tam non splendet sol creatus" by Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'incoronazione di Poppea, SV 308 / Act I: Chi parla? chi parla? | Claudio Monteverdi, Mark Tucker, Michael Chance, Nigel Robson, English Baroque Soloists, John Eliot Gardiner | C Major | 1 | 8B | 98 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Che disse? Che ascoltai?" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | E♭ Minor | 3 | 2A | 113 BPM | ||
Pausanius, the Betrayer of his Country. (1695), Z585 - original version: Sweeter Than Roses | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | F♯ Major | 1 | 2B | 136 BPM | ||
Pergolesi: Confitebor: II. Confessor et magnificentia | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Major | 1 | 2B | 79 BPM | ||
Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] | William Christie | F Minor | 1 | 4A | 94 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Major | 3 | 9B | 116 BPM | ||
Ouverture-Suite, TWV 55:a2: 1. Les plaisirs | Georg Philipp Telemann, New London Consort, Philip Pickett | G Minor | 0 | 6A | 111 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Che puro ciel!" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Zelenka: Laetatus sum, ZWV 90: III. Rogate. Andante | Jan Dismas Zelenka, Jakub Józef Orliński, Fatma Said, Francesco Corti, Il Pomo D'oro | B♭ Minor | 2 | 3A | 83 BPM | ||
Pergolesi: Stabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebat (Alto) | Giovanni Battista Pergolesi, Il Seminario Musicale - Gérard Lesne | D♭ Major | 2 | 3B | 112 BPM |
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