"Dolcissimo uscignolo" by Claudio Monteverdi, Alessandro Carmignani, Delitiæ Musicæ, Marco Longhini was released on May 12, 2017. With this song being about 5 minutes long, at 4:40, "Dolcissimo uscignolo" by Claudio Monteverdi, Alessandro Carmignani, Delitiæ Musicæ, Marco Longhini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini's "Monteverdi: Madrigals, Book 8" album is number 10 out of 85. On top of that, Hong Kong appears to be the country where this track was created. Dolcissimo uscignolo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dolcissimo uscignolo by Claudio Monteverdi, Alessandro Carmignani, Delitiæ Musicæ, Marco Longhini to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madrigals, Book 9: Bel pastor, SV 168 | Claudio Monteverdi, Le Nuove Músiche, Krijn Koetsveld, Wendy Roobol, Falco van Loon | G Major | 1 | 9B | 92 BPM | ||
Sant'Agnese: Vaga rosa (Aria) | Bernardo Pasquini, Núria Rial | D♭ Minor | 0 | 12A | 77 BPM | ||
An Almaine | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 112 BPM | ||
Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) | Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 3 | 11A | 118 BPM | ||
Diporti di Euterpe, Op. 7: Lagrime mie | Barbara Strozzi, Paul Beier, Emanuela Galli, Ensemble Galilei | E♭ Minor | 0 | 2A | 105 BPM | ||
Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 168 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Vespers of 1610: Duo Seraphim | Claudio Monteverdi, Mark Dobell, Jeremy Budd, Ben Davies, Harry Christophers, The Sixteen | D Minor | 1 | 7A | 66 BPM |
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