"Lohengrin: Act III Scene 3: Mein Herr und Konig (Lohengrin)" by Richard Wagner, Lauritz Melchior, Helen Traubel, Margaret Harshaw, Osie Hawkins, Deszo Ernster, Hugh Thompson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Busch was released on March 1, 2015. The duration of Lohengrin: Act III Scene 3: Mein Herr und Konig (Lohengrin) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Lohengrin: Act III Scene 3: Mein Herr und Konig (Lohengrin)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Lohengrin by Richard Wagner, Fritz Busch. The song's track number on the album is #10 out of 50 tracks. Based on our data, United States was the country where this track was produced or recorded. Lohengrin: Act III Scene 3: Mein Herr und Konig (Lohengrin) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin: Act III Scene 3: Mein Herr und Konig (Lohengrin) by Richard Wagner, Lauritz Melchior, Helen Traubel, Margaret Harshaw, Osie Hawkins, Deszo Ernster, Hugh Thompson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Busch has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Lohengrin: Act III Scene 3: Mein Herr und Konig (Lohengrin) being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly / Act 2: Coro a bocca chiusa | Giacomo Puccini, Philharmonia Orchestra, Giuseppe Sinopoli, Ambrosian Opera Chorus | B♭ Major | 0 | 6B | 76 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | ||
Parsifal Wagner - Good Friday Spell | Gerard Schwarz | D Major | 0 | 10B | 75 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Skazaniye o nevidimom grade Kitezhe i deve Fevronii (Legend of the Invisible City of Kitezh and the Maiden Fevroniya): Prelude: In praise of the wilderness | Nikolai Rimsky-Korsakov, Mikhail Kazakov, Vitaly Panfilov, Tatiana Monogarova, Mikhail Gubsky, Gevorg Hakobyan, Marika Gulordava, Riccardo Ferrari, Stefano Consolini, Valery Gilmanov, Alexander Naumenko, Rosanna Savoia, Elena Manistina, Cagliari Theatre Chorus, Cagliari Theatre Orchestra, Alexander Vedernikov | E♭ Major | 7 | 5B | 127 BPM | ||
Carmen, Act I: No.10 Séguidille et Duo : Près des ramparts de Séville (Carmen/Don José) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 1 | 9B | 90 BPM | ||
Preludio Sinfonico for Orchestra, Op.1 | Giacomo Puccini, London Symphony Orchestra, Antonio Pappano | A Major | 0 | 11B | 75 BPM | ||
Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | ||
La Cenerentola / Act 2: "Non più mesta" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 3 | 12B | 137 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM |
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