"Stabat mater: Stabat mater dolorosa (arr. J. Lloyd Webber for 2 cellos and harp)" by Giovanni Battista Pergolesi, Julian Lloyd Webber, Jiaxin Lloyd Webber, Catrin Finch was released on October 1, 2013. The duration of Stabat mater: Stabat mater dolorosa (arr. J. Lloyd Webber for 2 cellos and harp) is about 3 minutes long, at 3:16. Based on our data, "Stabat mater: Stabat mater dolorosa (arr. J. Lloyd Webber for 2 cellos and harp)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 21 in A Tale of Two Cellos by Julian Lloyd Webber, Jiaxin Lloyd Webber. Stabat mater: Stabat mater dolorosa (arr. J. Lloyd Webber for 2 cellos and harp) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat mater: Stabat mater dolorosa (arr. J. Lloyd Webber for 2 cellos and harp) by Giovanni Battista Pergolesi, Julian Lloyd Webber, Jiaxin Lloyd Webber, Catrin Finch is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus-Passion, BWV 244: Erbarme dich mein Gott | Johann Sebastian Bach, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | B♭ Minor | 1 | 3A | 82 BPM | ||
Choral Prelude, BWV 639: "Ich ruf' zu dir, Herr Jesu Christ" | Johann Sebastian Bach, Christian-Pierre La Marca | F Minor | 1 | 4A | 95 BPM | ||
Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: II. Adagio | Jean Barrière, Guy Johnston, Sheku Kanneh-Mason | G Minor | 0 | 6A | 80 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19, The Miller and the Brook - Arr. for Arpeggione and Piano | Franz Schubert, Anne Gastinel, Claire Désert | F Minor | 0 | 4A | 93 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Trio Sonata in E Minor: I. Grave | Johann Rosenmüller, Anna Holbling, Quido Holbling, Jozef Zsapka | A Major | 2 | 11B | 98 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | F♯ Major | 0 | 2B | 92 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM |
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