- BPM
- 82
- Key
- B♭ Minor
- Camelot
- 3A
Matthäus-Passion, BWV 244: Erbarme dich mein Gott - Johann Sebastian Bach, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra Information
- Acousticness
- 94%
- Danceability
- 12%
- Energy
- 13%
- Instrumentalness
- 61%
- Liveness
- 13%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 11%
- Popularity
- 35%
- Loudness
- -20.827 dB
Summary
"Matthäus-Passion, BWV 244: Erbarme dich mein Gott" by Johann Sebastian Bach, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra was released on May 12, 2017. Since Matthäus-Passion, BWV 244: Erbarme dich mein Gott is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Yo-Yo Ma Plays Bach by Johann Sebastian Bach, Yo-Yo Ma. The song's track number on the album is #7 out of 20 tracks. Matthäus-Passion, BWV 244: Erbarme dich mein Gott is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Matthäus-Passion, BWV 244: Erbarme dich mein Gott BPM
Since Matthäus-Passion, BWV 244: Erbarme dich mein Gott by Johann Sebastian Bach, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Matthäus-Passion, BWV 244: Erbarme dich mein Gott being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
Matthäus-Passion, BWV 244: Erbarme dich mein Gott Key
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Peer Gynt, Op. 23 / Act III: Solveig's Song (Arr. for Cello and Piano by Georg Goltermann) | Edvard Grieg, Mischa Maisky, Lily Maisky | B♭ Major | 1 | 6B | 135 BPM | |
 | Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | |
 | Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | |
 | Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | |
 | Fauré: Requiem in D Minor, Op. 48: VII. In Paradisum | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Major | 0 | 10B | 147 BPM | |
 | Concerto for Cello & Wind Band: II. Idylle | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | B♭ Major | 0 | 6B | 80 BPM | |
 | Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | F♯ Major | 0 | 2B | 80 BPM | |
 | Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | |
 | Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | |
 | Herr, gehe nicht ins Gericht mit deinem Knecht, Cantata BWV 105: Aria "Wie zittern und wanken der Sünder Gedanken" (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas | F♯ Major | 1 | 2B | 139 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.720116376876831
End: 0.7246596813201904