- BPM
- 80
- Key
- G Minor
- Camelot
- 6A
Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: II. Adagio - Jean Barrière, Guy Johnston, Sheku Kanneh-Mason Information
- Acousticness
- 97%
- Danceability
- 10%
- Energy
- 2%
- Instrumentalness
- 44%
- Liveness
- 12%
- Loudness
- 49%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 18%
- Loudness
- -30.554 dB
Summary
"Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: II. Adagio" by Jean Barrière, Guy Johnston, Sheku Kanneh-Mason was released on September 8, 2017. The duration of Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: II. Adagio is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Tecchler's Cello: From Cambridge to Rome". In this album, this song's track order is #8. Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: II. Adagio BPM
With Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: II. Adagio by Jean Barrière, Guy Johnston, Sheku Kanneh-Mason having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: II. Adagio Key
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | |
 | Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | |
 | Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | |
 | Ghazel for Cello & Strings (Transc. Sam Dennison) | Victor Herbert, Lynn Harrell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 0 | 5B | 80 BPM | |
 | Sonata for Cello Duo in G Major - 3. Allegro prestissimo | Suren Bagratuni, Ling-Yi Ou Yang, Jean Barrière | G Major | 3 | 9B | 154 BPM | |
 | Requiem (Version for Choir, Cello, Percussion & Organ): VII. Lacrimosa | Matthew Coleridge, RSVP Voices, Guy Johnston, Stephen Farr, Unknown Artist, Rob Johnston | D Minor | 0 | 7A | 66 BPM | |
 | Myfanwy (Arr. for Solo Cello) | Sheku Kanneh-Mason | G Major | 0 | 9B | 93 BPM | |
 | NO ROADMAP TO ADULTHOOD / Chilly Gonzales: Prelude in C Sharp Major | Chilly Gonzales, Alice Sara Ott | E♭ Minor | 0 | 2A | 70 BPM | |
 | Chanson russe (Arr. for Cello and Piano) | Igor Stravinsky, Sheku Kanneh-Mason, Isata Kanneh-Mason | C Major | 0 | 8B | 122 BPM | |
 | Melody | Sheku Kanneh-Mason | D Minor | 0 | 7A | 93 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.66082763671875
End: 0.665024995803833