Georges Bizet, Orchestre National De France, Seiji Ozawa made "Carmen: Overture (Prelude)" available on 2010. The duration of Carmen: Overture (Prelude) is about 3 minutes long, at 3:20. Based on our data, "Carmen: Overture (Prelude)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 101 in the song's album "Seiji Ozawa 101 Your Best Tunes". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Carmen: Overture (Prelude)'s popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Carmen: Overture (Prelude) by Georges Bizet, Orchestre National De France, Seiji Ozawa having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grandes Etudes de Paganini, S.141: No.6 In A Minor | Franz Liszt, Daniil Trifonov | A Minor | 2 | 8A | 119 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Le docteur Miracle: Scene 9: Terzetto: Dieu! son pere! (Silvio, Laurette, Le Podestat) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | F Major | 2 | 7B | 134 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM | ||
Melody in F, Op.3, No.1 - Arr. G. Saborow | Anton Rubinstein, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | F Major | 2 | 7B | 85 BPM | ||
Beethoven: Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | D Major | 1 | 10B | 153 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 5 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 1 | 6A | 144 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM |
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