Nikolaus Harnoncourt's 'Messiah, HWV 56: Part 3: But thanks be to God (Chorus)' came out on 2005. The duration of Messiah, HWV 56: Part 3: But thanks be to God (Chorus) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Messiah, HWV 56: Part 3: But thanks be to God (Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nikolaus Harnoncourt's "Händel: Messiah" album is number 25 out of 47. In terms of popularity, Messiah, HWV 56: Part 3: But thanks be to God (Chorus) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Messiah, HWV 56: Part 3: But thanks be to God (Chorus) by Nikolaus Harnoncourt to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VII. Allegro | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 169 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610b: III. Et misericordia ejus (Chorus). Andante molto | Antonio Vivaldi, Andrew Parrott, Taverner Players | F Minor | 1 | 4A | 91 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Dixit Dominus, HWV 232: Dominus a dextris tuis | George Frideric Handel, Charles Humphries, Gill Ross, Donna Deam, Robert Burt, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 2 | 12A | 146 BPM | ||
Ouverture "Wassermusik" in C Major, TWV 55:C3: I. Ouverture | Georg Philipp Telemann, Ensemble Zefiro, Alfredo Bernardini | B Major | 3 | 1B | 121 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 42, Aria. "Gebt mir meinen Jesum wieder" | Johann Sebastian Bach, Nikolaus Harnoncourt, Oliver Widmer, Concentus Musicus Wien | F♯ Major | 2 | 2B | 90 BPM | ||
Bach, JC: Harpsichord Concerto No. 6 in F Minor, W. C73 (formerly attrib. W. F. Bach): I. Allegro di molto | Johann Christian Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener | G Major | 2 | 9B | 92 BPM |
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