Johann Christian Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener's 'Bach, JC: Harpsichord Concerto No. 6 in F Minor, W. C73 (formerly attrib. W. F. Bach): I. Allegro di molto' came out on February 3, 2017. Bach, JC: Harpsichord Concerto No. 6 in F Minor, W. C73 (formerly attrib. W. F. Bach): I. Allegro di molto is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. The song is number 4 out of 14 in Dynastie - Bach Family Concertos by Jean Rondeau. In terms of popularity, Bach, JC: Harpsichord Concerto No. 6 in F Minor, W. C73 (formerly attrib. W. F. Bach): I. Allegro di molto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JC: Harpsichord Concerto No. 6 in F Minor, W. C73 (formerly attrib. W. F. Bach): I. Allegro di molto by Johann Christian Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: IV. Allegro | Georg Philipp Telemann, Boris Begelman | D♭ Major | 4 | 3B | 124 BPM | ||
Royer: Pièces de clavecin, Book 1 (1746): No. 14 La Marche, des Scythes | Joseph-Nicolas-Pancrace Royer, Jean Rondeau | B♭ Minor | 5 | 3A | 79 BPM | ||
Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 115 BPM | ||
Brandenburg Concerto No. 2 In F Major, BWV 1047: III. Allegro Assai | Cologne Chamber Orchestra, Johann Sebastian Bach | F Major | 4 | 7B | 112 BPM | ||
Rameau: Nouvelles Suites de Pièces de Clavecin (1727), Suite in G Major, RCT 6: No. 3. Menuet I - Menuet II | Jean-Philippe Rameau, Jean Rondeau | F Major | 3 | 7B | 117 BPM | ||
Concerto in E minor for oboe, strings and basso continuo: I. Andante | Georg Philipp Telemann, Han De Vries, Alma Musica Amsterdam, Bob van Asperen, Wouter Möller | E♭ Minor | 1 | 2A | 105 BPM | ||
Requiem: Requiem: 10. Quartetto. Confutatis maledictis | Johann Christian Bach, Lenneke Ruiten, Ruth Sandhoff, Colin Balzer, Thomas Bauer, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | G Minor | 2 | 6A | 78 BPM | ||
Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: III. Finale Allegro molto | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | E Minor | 3 | 9A | 84 BPM | ||
Ciaccona | Johann Pachelbel, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 1 | 8A | 80 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: I. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 124 BPM |
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