Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon made "Concerto Grosso in C Minor, Op. 2, No. 2: IV. Allegro" available on 1992. The duration of Concerto Grosso in C Minor, Op. 2, No. 2: IV. Allegro is about 3 minutes long, at 3:07. Based on our data, "Concerto Grosso in C Minor, Op. 2, No. 2: IV. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Francesco Geminiani, Tafelmusik Baroque Orchestra's "Geminiani: Concerti grossi" album is number 14 out of 30. Based on our statistics, Concerto Grosso in C Minor, Op. 2, No. 2: IV. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto Grosso in C Minor, Op. 2, No. 2: IV. Allegro by Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 1. Largo | Charles Avison, The English Concert, Trevor Pinnock | B Major | 1 | 1B | 143 BPM | ||
Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 120 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 7 in G Major: II. Fuga | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Alain Gervreau | F♯ Major | 3 | 2B | 136 BPM | ||
Concerto Grosso II in D Minor, Op. 3: I. Ouverture-Largo | Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend | F Major | 0 | 7B | 36 BPM | ||
Sonata (Concerto) In C Major TWV 40:203, For 4 Violins Without Basso Continuo: 3. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | B Major | 0 | 1B | 118 BPM | ||
Quartet in G Major, TWV 43:G2: II. Vivace | Georg Philipp Telemann, Orchestra of the Golden Age | D♭ Major | 1 | 3B | 104 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Concerto a cinque No. 6, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Major | 4 | 3B | 118 BPM | ||
Recorder Sonata No. 12 in G Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | B Minor | 0 | 10A | 70 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: IV. Allegro | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella Istropolitana | F Major | 3 | 7B | 112 BPM |
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