Johann Sebastian Bach, Raimund Nolte, Nico Van Der Meel, Kolner Kammerorchester, Helmut Muller-Bruhl made "Matthäuspassion, BWV 244: Aria: Da Jesus diese Rede vollendet hatte (Evangelist, Jesus)" available on November 1, 2005. With Matthäuspassion, BWV 244: Aria: Da Jesus diese Rede vollendet hatte (Evangelist, Jesus) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann Sebastian Bach, Kolner Kammerorchester, Helmut Muller-Bruhl's "J.S. Bach: Matthäuspassion, BWV 244" album is number 2 out of 68. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Matthäuspassion, BWV 244: Aria: Da Jesus diese Rede vollendet hatte (Evangelist, Jesus) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Matthäuspassion, BWV 244: Aria: Da Jesus diese Rede vollendet hatte (Evangelist, Jesus) by Johann Sebastian Bach, Raimund Nolte, Nico Van Der Meel, Kolner Kammerorchester, Helmut Muller-Bruhl to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus Passion, BWV 244, Pt. 1: I. Chorus with Chorale I/II, Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, Rufus Müller, Richard Jackson, Nancy Argenta, Lynda Lee, Jonathan Peter Kenny, Jamie MacDougall, Stephen Varcoe, Paul Goodwin, Jonathan Miller | E♭ Minor | 1 | 2A | 113 BPM | ||
II. Lobe Den Herrn, Meine Seele BWV 143, For New Year's Day, Am Neujahrstag: Coro, Lobe Den Herrn, Meine Seele | Pieter Jan Leusink, Ruth Holton, Teunis van der Zwart, Nico Van Der Meel, Louis Van Emmerik, Johann Sebastian Bach, Bas Ramselaar, Sytse Buwalda, Frank Aarnink, Helen Macdougall, Amsterdam Classics B.V., Jean Van Vugt, Erwin Wieringa, Holland Boys Choir, Netherlands Bach Collegium | B Major | 1 | 1B | 129 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (4) Choral (Tenore): Zion Hört Die Wächter Singen | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 0 | 10B | 166 BPM | ||
Messe in B Minor, BWV 232: No; 2, Christe eleison | Johann Sebastian Bach, Marc Minkowski, Les Musiciens du Louvre, Blandine Staskiewicz, Lucy Crowe | C Minor | 1 | 5A | 130 BPM | ||
Matthäuspassion, BWV 244: Und da sie den Lobgesang gesprochen hatten (Evangelist, Jesus) | Johann Sebastian Bach, Raimund Nolte, Nico Van Der Meel, Kolner Kammerorchester, Helmut Muller-Bruhl | B Minor | 2 | 10A | 103 BPM | ||
Brandenburg Concerto No. 1 In F Major, BWV 1046: III. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | C Major | 3 | 8B | 99 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | C Major | 3 | 8B | 103 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (2) Recitativo (Tenore): Er Kommt, Der Bräutgam Kommt | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Johann Sebastian Bach, Ruth Holton, Sytse Buwalda, Pieter Jan Leusink | B Minor | 0 | 10A | 81 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Mass in B Minor, BWV 232: I. Missa (Kyrie, Gloria) - Kyrie eleison I | Johann Sebastian Bach, René Jacobs, Akademie für Alte Musik Berlin, RIAS Kammerchor, Robin Johannsen, Marie-Claude Chappuis, Helena Rasker, Sebastian Kohlhepp, Christian Immler | D♭ Major | 3 | 3B | 82 BPM |
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