- BPM
- 103
- Key
- B Minor
- Camelot
- 10A
Matthäuspassion, BWV 244: Und da sie den Lobgesang gesprochen hatten (Evangelist, Jesus) - Johann Sebastian Bach, Raimund Nolte, Nico Van Der Meel, Kolner Kammerorchester, Helmut Muller-Bruhl Information
- Acousticness
- 98%
- Danceability
- 43%
- Energy
- 18%
- Instrumentalness
- 0%
- Liveness
- 15%
- Loudness
- 73%
- Speechiness
- 6%
- Valence
- 44%
- Popularity
- 8%
- Loudness
- -16.183 dB
Summary
Johann Sebastian Bach, Raimund Nolte, Nico Van Der Meel, Kolner Kammerorchester, Helmut Muller-Bruhl made "Matthäuspassion, BWV 244: Und da sie den Lobgesang gesprochen hatten (Evangelist, Jesus)" available on November 1, 2005. With Matthäuspassion, BWV 244: Und da sie den Lobgesang gesprochen hatten (Evangelist, Jesus) being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Kolner Kammerorchester, Helmut Muller-Bruhl's "J.S. Bach: Matthäuspassion, BWV 244" album is number 14 out of 68. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Matthäuspassion, BWV 244: Und da sie den Lobgesang gesprochen hatten (Evangelist, Jesus) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Matthäuspassion, BWV 244: Und da sie den Lobgesang gesprochen hatten (Evangelist, Jesus) BPM
We consider the tempo marking of Matthäuspassion, BWV 244: Und da sie den Lobgesang gesprochen hatten (Evangelist, Jesus) by Johann Sebastian Bach, Raimund Nolte, Nico Van Der Meel, Kolner Kammerorchester, Helmut Muller-Bruhl to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Matthäuspassion, BWV 244: Und da sie den Lobgesang gesprochen hatten (Evangelist, Jesus) Key
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | I. Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, Seconda Parte, Choral (Coro): Gib, Daß Ich Tu Mit Fleiß | Holland Boys Choir; Netherlands Bach Collegium, Peter Frankenberg, Sytse Buwalda, Frederique Chauvet, Bas Ramselaar, Ruth Holton, Johann Sebastian Bach, Knut Schoch, Marion Moonen, Ofer Frenkel, Pieter Jan Leusink | E♭ Major | 2 | 5B | 75 BPM | |
 | I. Ich Hab In Gottes Herz Und Sinn BWV 92, Coro: Ich Hab In Gottes Herz Und Sinn | Pieter Jan Leusink, D'amore, Ofer Frenkel, Holland Boys Choir; Netherlands Bach Collegium, Peter Frankenberg, Sytse Buwalda, Bas Ramselaar, Frank Wakelkamp, Ruth Holton, Knut Schoch, Johann Sebastian Bach | A Major | 2 | 11B | 172 BPM | |
 | I. Nun Danket Alle Gott BWV 192, (2) Aria (Duetto: Soprano, Basso): Der Ewig Reiche Gott | Pieter Jan Leusink, Bas Ramselaar, Holland Boys Choir, Netherlands Bach Collegium, Johann Sebastian Bach, Knut Schoch, Peter Frankenberg, Sytse Buwalda, Kate Clark, Marjon Strijk | D♭ Major | 3 | 3B | 53 BPM | |
| I. Nun Danket Alle Gott BWV 192, (3) Coro: Lob, Ehr Und Preis Sei Gott | Pieter Jan Leusink, Sytse Buwalda, Knut Schoch, Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Peter Frankenberg, Johann Sebastian Bach, Marjon Strijk, Kristin Linde, Doretthe Janssens, Marion Moonen | D♭ Major | 3 | 3B | 53 BPM | |
 | I. Wo Soll Ich Fliehen Hin BWV 5, (1) Coro: Wo Soll Ich Fliehen Hin | Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Kristin Linde, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 171 BPM | |
 | Ermuntre Dich, Mein Schwacher Geist, Weihnachtsoratorium Bwv 248 | Nicol Matt, Ute Petersilge, Nordic Chamber Choir, Heike Hümmer, Robert Sagasser, Jörg Halobek, Jens Wollenschläger, Soloist Of The Freiburger Barockorchester, Martina Rotbauer, Johann Sebastian Bach | F♯ Major | 3 | 2B | 81 BPM | |
 | Chromatic Fantasy and Fuge, In D Minor BWV 903, Chromatische Fantasie and Fuge, D Moll BWV 903: Fantasie | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | C Minor | 3 | 5A | 76 BPM | |
 | VI. Darum ich mich ihm ergebe (Aria) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Daniel Johannsen | A♭ Major | 2 | 4B | 92 BPM | |
 | II. Lobe Den Herrn, Meine Seele BWV 143, For New Year's Day, Am Neujahrstag: Coro, Halleluja | Pieter Jan Leusink, Helen Macdougall, Nico Van Der Meel, Amsterdam Classics B.V., Jean Van Vugt, Sytse Buwalda, Frank Aarnink, Johann Sebastian Bach, Holland Boys Choir, Netherlands Bach Collegium, Teunis van der Zwart, Ruth Holton, Erwin Wieringa, Bas Ramselaar, Louis Van Emmerik | B Major | 1 | 1B | 129 BPM | |
| I. Brich Dem Hungrigen Dein Brot BWV 39, For The 1st Sunday After Trinity, Am 1. Sonntag Nach Trinitatis, Seconda Parte: Choral (Coro), Selig Sind, Die Aus Erbarmen | Pieter Jan Leusink, Sytse Buwalda, Eduard Wesley, Louis Van Emmerik, Katherin Steddon, Ruth Holton, Anneke Boeke, Johann Sebastian Bach, Bas Ramselaar, Susanne Grutzmacher, Holland Boys Choir, Netherlands Bach Collegium, Amsterdam Classics B.V., Jean Van Vugt | B Major | 1 | 1B | 129 BPM |
- ISRC
- HKI190584414
- Label
- L-M Records/RCA Records
Section: 0.4498929977416992
End: 0.45405030250549316