Johann Sebastian Bach, Jean-Pierre Wallez, Bruno Rigutto, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris made "Bach, JS: Concerto for Three Pianos in D Minor, BWV 1063: I. —" available on January 1, 1981. Bach, JS: Concerto for Three Pianos in D Minor, BWV 1063: I. — is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. The song is number 4 out of 9 in Bach: Les Concertos pour 3 et 4 pianos by Johann Sebastian Bach, Michel Béroff, Jean-Philippe Collard, Gabriel Tacchino, Bruno Rigutto, Orchestre de chambre de Paris, Jean-Pierre Wallez. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Bach, JS: Concerto for Three Pianos in D Minor, BWV 1063: I. — is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, JS: Concerto for Three Pianos in D Minor, BWV 1063: I. — by Johann Sebastian Bach, Jean-Pierre Wallez, Bruno Rigutto, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata in E-Flat Major, Op. 1, No. 1: I. Allegro con comodo | Muzio Clementi, Giacomo Scinardo | E♭ Major | 1 | 5B | 81 BPM | ||
Les Rozeaux (13e ordre) | François Couperin, Alexandre Tharaud | B Minor | 1 | 10A | 67 BPM | ||
Scarlatti: Sonata K. 20 in E-major | Nikolaj Koppel | E Major | 0 | 12B | 135 BPM | ||
Minuet in G Major, BWV Anh. 114 (Notebook for Anna Magdalena Bach, 1725) | Christian Petzold, Daniil Trifonov | G Minor | 2 | 6A | 117 BPM | ||
Keyboard Concerto No. 6 in F Major, BWV 1057: III. Allegro assai | Johann Sebastian Bach, Murray Perahia, Academy of St. Martin in the Fields, Jeanne Dolmetsch, Marguerite Dolmetsch | F Major | 2 | 7B | 109 BPM | ||
Concerto in C major RV 534 for Trumpets and Oboe: Allegro | Maurice André, Daniel Arrignon, Orchestre de chambre de Paris, Jean-Pierre Wallez | C Major | 1 | 8B | 125 BPM | ||
Concerto in D major for Double-bass and Orchestra: 1. Allegro Moderato | Johann Baptist Vanhal, Odon Racz, Franz Liszt Chamber Orchestra | D Major | 1 | 10B | 105 BPM | ||
Nonet in E-Flat Major, Op. 38: II. Andante con moto | Louise Farrenc, Consortium Classicum | B♭ Major | 0 | 6B | 121 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell' invenzione" / Concerto No. 2 in G minor for solo violin, "L'Estate" - RV315: 2. Adagio - Presto | Antonio Vivaldi, Jean-Pierre Wallez, Ensemble instrumental de France | B♭ Major | 1 | 6B | 80 BPM | ||
Piano Concerto No. 4 in G Minor: III. (Rondo): Allegretto | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | G Minor | 2 | 6A | 112 BPM |
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