On 1971, the song "Keyboard Concerto No. 6 in F Major, BWV 1057: III. Allegro assai" was released by Johann Sebastian Bach, Murray Perahia, Academy of St. Martin in the Fields, Jeanne Dolmetsch, Marguerite Dolmetsch. With this song being about 5 minutes long, at 4:35, "Keyboard Concerto No. 6 in F Major, BWV 1057: III. Allegro assai" by Johann Sebastian Bach, Murray Perahia, Academy of St. Martin in the Fields, Jeanne Dolmetsch, Marguerite Dolmetsch is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Sebastian Bach, Murray Perahia's "Murray Perahia Plays Bach Concertos" album is number 9 out of 30. On top of that, United States appears to be the country where this track was created. In terms of popularity, Keyboard Concerto No. 6 in F Major, BWV 1057: III. Allegro assai is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Keyboard Concerto No. 6 in F Major, BWV 1057: III. Allegro assai by Johann Sebastian Bach, Murray Perahia, Academy of St. Martin in the Fields, Jeanne Dolmetsch, Marguerite Dolmetsch to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Two Rhapsodies, Op. 79: Rhapsodie in B Minor, Op. 79, No. 1 | Johannes Brahms, Murray Perahia | E Minor | 2 | 9A | 152 BPM | ||
Ouverture in E Minor, TWV 55:e1: VI. Air. Un peu vivement | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | E♭ Minor | 1 | 2A | 168 BPM | ||
Concerto No. 1 In F Major BWV1046 - Allegro | Jordi Savall, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Quintet No.7 for Guitar and Strings in E minor, G.451: 2. Adagio | Luigi Boccherini, Pepe Romero, Academy of St. Martin in the Fields | C Major | 1 | 8B | 118 BPM | ||
Les Juméles (12e ordre) | François Couperin, Alexandre Tharaud | E Major | 0 | 12B | 69 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (b) Variation I | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Suite No. 5 in E Major, HWV 430: II. Allemande | George Frideric Handel, Murray Perahia | E Major | 1 | 12B | 149 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): I. Adagio | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 1 | 10B | 91 BPM |
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