Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt's 'Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): I. Adagio' came out on July 1, 2016. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 14 in Bach: Viola da gamba Sonatas by Daniel Müller-Schott, Angela Hewitt. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): I. Adagio is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): I. Adagio by Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato | George Frideric Handel, Akademie für Alte Musik Berlin | A Major | 0 | 11B | 35 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
Pièces de clavecin, Livre II, Ordre 6: VIII. Le Moucheron | François Couperin, Angela Hewitt | B♭ Major | 2 | 6B | 89 BPM | ||
Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto | Ludwig van Beethoven, Kristian Bezuidenhout, Freiburger Barockorchester, Pablo Heras-Casado | C Major | 1 | 8B | 74 BPM | ||
Dixit Dominus, HWV 232: "De torrente in via bibet" | George Frideric Handel, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs, Adrien La Marca | C Minor | 2 | 5A | 97 BPM | ||
Sonata in E Major, K. 206 | Domenico Scarlatti, Lucas Debargue | B Major | 1 | 1B | 110 BPM |
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