Franz Joseph Haydn, Alban Berg Quartett made "Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (b) Variation I" available on January 9, 1996. With Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (b) Variation I being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Franz Joseph Haydn, Alban Berg Quartett's "Haydn - String Quartets, Op 76 Nos 2-4" album is number 7 out of 16. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (b) Variation I is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (b) Variation I by Franz Joseph Haydn, Alban Berg Quartett to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Major, Op. 18, No. 2: IV. Allegro assai | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 146 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Quoniam | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | B♭ Minor | 1 | 3A | 85 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Haydn: String Quartet in D Minor, Op. 76 No. 2, Hob. III:76 "Fifths": III. Menuetto | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Haydn: String Quartet in B-Flat Major, Op. 76 No. 4, Hob. III:78 "Sunrise": II. Adagio | Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Sinfonia Concertante in B-Flat Major, Hob.I:105: III. Allegro con spirito | Joseph Haydn, Andrius Puskunigis, Michael Kaulartz, Woitek Garbowski, Pirkko Langer, Heidelberg Symphony Orchestra, Thomas Fey | B♭ Major | 1 | 6B | 136 BPM | ||
Keyboard Concertino in C Major, Hob.XIV:11: I. Vivace | Joseph Haydn, Sebastian Knauer, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Major | 1 | 12B | 131 BPM | ||
Brahms: String Quartet No. 3 in B-Flat Major, Op. 67: I. Vivace | Johannes Brahms, Alban Berg Quartett | A Minor | 1 | 8A | 112 BPM | ||
Fantasiestücke, Op. 73: 3. Rasch und mit Feuer | Robert Schumann, Martha Argerich, Mischa Maisky | D♭ Major | 1 | 3B | 104 BPM |
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