Igor Stravinsky, Orpheus Chamber Orchestra's 'Orpheus - Ballet in 3 Scenes / 2nd scene: Pas de deux' came out on January 1, 1999. With this song being about 5 minutes long, at 5:15, "Orpheus - Ballet in 3 Scenes / 2nd scene: Pas de deux" by Igor Stravinsky, Orpheus Chamber Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Stravinsky: Orpheus; Danses concertantes". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. In terms of popularity, Orpheus - Ballet in 3 Scenes / 2nd scene: Pas de deux is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Orpheus - Ballet in 3 Scenes / 2nd scene: Pas de deux by Igor Stravinsky, Orpheus Chamber Orchestra having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 In E Minor, Op. 98: 4. Allegro energico e passionato - Più allegro | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 91 BPM | ||
Symphony for Strings in A-Flat, Op. 118a: II. Allegretto furioso (Transcribed from String Quartet No. 10) | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | G Major | 0 | 9B | 69 BPM | ||
Dvořák: Symphony No. 5 in F Major, Op. 76, B. 54: II. Andante con moto | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | A Minor | 0 | 8A | 80 BPM | ||
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Games of the Rival Tribes | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | E♭ Major | 6 | 5B | 86 BPM | ||
Printemps (arr. H. Busser for orchestra): I. Tres modere | Claude Debussy, Henri Büsser, Orchestre National De Lyon, Jun Markl | A♭ Minor | 1 | 1A | 96 BPM | ||
Violin Concerto "To the Memory of an Angel": I. Andante - Allegro | Alban Berg, Anne-Sophie Mutter, Chicago Symphony Orchestra, James Levine | C Major | 1 | 8B | 89 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Symphony No. 7 in E Minor: III. Scherzo. Schattenhaft – Trio | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle | G Minor | 0 | 6A | 91 BPM | ||
L'Histoire du Soldat (The Soldier's Tale) - Part I: Music to Scene I | Igor Stravinsky, Eastman Wind Ensemble, Mark Scatterday | D Major | 5 | 10B | 114 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Quarrel | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B Minor | 4 | 10A | 91 BPM |
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