"Sisask : Gloria Patri... 24 Hymns for Mixed Choir : V Laudate Dominum" by Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann was released on April 4, 1994. The duration of Sisask : Gloria Patri... 24 Hymns for Mixed Choir : V Laudate Dominum is about 3 minutes long, at 3:21. Based on our data, "Sisask : Gloria Patri... 24 Hymns for Mixed Choir : V Laudate Dominum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 36 in the song's album "Urmas Sisask : Gloria Patri..., Magnificat". In this album, this song's track order is #5. Sisask : Gloria Patri... 24 Hymns for Mixed Choir : V Laudate Dominum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sisask : Gloria Patri... 24 Hymns for Mixed Choir : V Laudate Dominum by Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mountain Night I | Zoltán Kodály, Mikrokosmos, Loïc Pierre | A Minor | 0 | 8A | 111 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
The Piano: Big My Secret | Michael Nyman, Valentina Lisitsa | D Major | 0 | 10B | 85 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): Introduction: O Lord, save the pious | Georgy Sviridov, Nazar Yakobenchuk, Credo Chamber Choir, Bogdan Plish | B♭ Minor | 0 | 3A | 79 BPM | ||
Darkwood 1 | David Darling | F Minor | 0 | 4A | 172 BPM | ||
To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Víkingur Ólafsson | F♯ Major | 0 | 2B | 76 BPM | ||
The Spheres | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | D♭ Minor | 0 | 12A | 133 BPM | ||
String Quartet No. 3, "Mishima": I. 1957: Award Montage | Philip Glass, Carducci String Quartet | C Minor | 1 | 5A | 120 BPM | ||
Les Pleurs (version à 2 violes) (Mr. de Sainte Colombe) | Monsieur de Sainte-Colombe, Christophe Coin, Jordi Savall | D♭ Minor | 0 | 12A | 77 BPM |
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