"Mozart: Mass No. 16 in C Major, K. 337, "Missa solemnis": III. Credo. Allegro vivace - Andante (Chorus, Soprano, Alto, Tenor, Bass)" by Wolfgang Amadeus Mozart, Peter Neumann/Collegium Cartusianum Köln/Kölner Kammerchor/Patrizia Kwella/Ulla Groenewold/Christoph Prégardien/Franz-Josef Selig, Peter Neumann, Collegium Cartusianum was released on 1989. With this song being about 5 minutes long, at 5:23, "Mozart: Mass No. 16 in C Major, K. 337, "Missa solemnis": III. Credo. Allegro vivace - Andante (Chorus, Soprano, Alto, Tenor, Bass)" by Wolfgang Amadeus Mozart, Peter Neumann/Collegium Cartusianum Köln/Kölner Kammerchor/Patrizia Kwella/Ulla Groenewold/Christoph Prégardien/Franz-Josef Selig, Peter Neumann, Collegium Cartusianum is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Peter Neumann/Collegium Cartusianum Köln/Kölner Kammerchor, Peter Neumann, Collegium Cartusianum's "Mozart: Coronation Mass K.317 & Missa Solemnis K.337" album is number 11 out of 14. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Mozart: Mass No. 16 in C Major, K. 337, "Missa solemnis": III. Credo. Allegro vivace - Andante (Chorus, Soprano, Alto, Tenor, Bass) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Mass No. 16 in C Major, K. 337, "Missa solemnis": III. Credo. Allegro vivace - Andante (Chorus, Soprano, Alto, Tenor, Bass) by Wolfgang Amadeus Mozart, Peter Neumann/Collegium Cartusianum Köln/Kölner Kammerchor/Patrizia Kwella/Ulla Groenewold/Christoph Prégardien/Franz-Josef Selig, Peter Neumann, Collegium Cartusianum to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4, Rezitative und Chöre. "Da versammleten sich die Hohenpriester" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Christoph Prégardien, Matthias Goerne, Concentus Musicus Wien | D♭ Minor | 1 | 12A | 93 BPM | ||
Le nozze di Figaro, K.492 / Act 3: Andante – “Eh già, la solita usanza” | Wolfgang Amadeus Mozart, Thomas Hampson, Luca Pisaroni, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 2 | 9B | 141 BPM | ||
Don Giovanni, K. 527 / Act 1: "Là ci darem la mano" - Excerpt | Wolfgang Amadeus Mozart, Miah Persson, Bryn Terfel, Scottish Chamber Orchestra | A Major | 1 | 11B | 72 BPM | ||
Requiem In D Minor, K. 626: Benedictus | Slovak Philharmonic, Vladimir Ruso, Slovak Philharmonic Chorus, Magdaléna Hajóssyová, Jaroslava Horska, Jozef Kundlák, Peter Mikulas, Stefan Klimo, Wolfgang Amadeus Mozart | B♭ Major | 2 | 6B | 84 BPM | ||
De lamentatione Jeremiæ prophetæ, Lectio prima: No. 7, Andante. Dabit percutienti | Francesco Durante, Monika Frimmer, Collegium Cartusianum, Peter Neumann | E Minor | 1 | 9A | 105 BPM | ||
Grosse Messe, Great Mass In C Minor Kv 427: Kyrie | Nicol Matt, Camerata Würzburg, Nordic Chamber Choir, Valentina Farcas, Reinhard Geller, Daniel Sans, Wolfgang Amadeus Mozart, Jens Wollenschläger, Christof Fischesser, Annemarie Kremer | C Minor | 1 | 5A | 89 BPM | ||
Grande Messe en ut mineur, K. 427: Credo | Wolfgang Amadeus Mozart, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Mechthild Georg, Alexander Stevenson, Philip Langshaw | C Major | 2 | 8B | 90 BPM | ||
Mozart: Concerto for Three Pianos No. 7 in F Major, K. 242: I. Allegro | Wolfgang Amadeus Mozart, Christoph Eschenbach, Helmut Schmidt, Justus Frantz, London Philharmonic Orchestra | F Major | 1 | 7B | 136 BPM | ||
Mass in C minor, K.427 "Grosse Messe": 1. Kyrie | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 83 BPM | ||
Mass in C Major, K. 317 "Coronation": I. Kyrie | Wolfgang Amadeus Mozart, Barbara Bonney, Jamie MacDougall, The English Concert Choir, The English Concert, Trevor Pinnock | C Major | 1 | 8B | 91 BPM |
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