George Frideric Handel, Arcangelo, Jonathan Cohen, Adam Plachetka's 'Theodora, HWV 68, Pt. II: Air. Wide Spread His Name' came out on February 23, 2024. The duration of Theodora, HWV 68, Pt. II: Air. Wide Spread His Name is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Theodora, HWV 68, Pt. II: Air. Wide Spread His Name's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Arcangelo, Jonathan Cohen's "Handel: Theodora, HWV 60" album is number 3 out of 78. On top of that, France appears to be the country where this track was created. Theodora, HWV 68, Pt. II: Air. Wide Spread His Name is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Theodora, HWV 68, Pt. II: Air. Wide Spread His Name by George Frideric Handel, Arcangelo, Jonathan Cohen, Adam Plachetka to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
Water Music Suite No. 3 in G Major, HWV 350: Rigaudon I & II | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 98 BPM | ||
Organ Concerto In G Minor, Op. 4, No. 3: III. Adagio | George Frideric Handel, Slovakisches Kammerorchester, Bohdan Warchal, Jozef Kopelman, Ivan Sokol, Alexander Juraj | C Minor | 1 | 5A | 49 BPM | ||
Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
Violin Concerto in E Major, D. 50: I. Allegro | Giuseppe Tartini, Ariadne Daskalakis, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Major | 1 | 12B | 78 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Messiah, HWV 56: Part I: Symphony Pastoral: Pifa | George Frideric Handel, Maria Jette, Patrice Djerejian, William Hite, Jeffrey Strauss, David Bachmann, Eric Budzynski, Apollo Chorus of Chicago, Studio Orchestra, Stephen Alltop | C Major | 0 | 8B | 75 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM |
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