"Judex - Mors et Vita" by Charles Gounod, Royal Liverpool Philharmonic Orchestra, Libor Pešek had its release date on September 9, 1997. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 10 in Adagietto by Libor Pešek. Judex - Mors et Vita is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Judex - Mors et Vita by Charles Gounod, Royal Liverpool Philharmonic Orchestra, Libor Pešek is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Fantasia On Greensleeves | Ralph Vaughan Williams, Vienna State Opera Orchestra, Adrian Boult | C Minor | 2 | 5A | 84 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | ||
The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 | Lang Lang | C Major | 1 | 8B | 134 BPM | ||
Thaïs: Méditation (Arr. for Cello & Piano) | Jules Massenet, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 80 BPM | ||
Faust, CG 4, ICG 61, Act I: "O merveille!" (Faust, Méphistophélès) | Charles Gounod, Metropolitan Opera Orchestra, Fausto Cleva, Jussi Björling, Cesare Siepi | E Major | 2 | 12B | 124 BPM | ||
Peer Gynt Suite No. 1, Op. 46: I. Le Matin | Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 67 BPM | ||
Faust, CG 4, ICG 61, Act I: "O coupe des aïeux" (Faust, Chœur) | Charles Gounod, Metropolitan Opera Orchestra, Fausto Cleva, Jussi Björling, Metropolitan Opera Chorus | D Minor | 5 | 7A | 104 BPM | ||
Symphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assai | William Boyce, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 131 BPM | ||
La Reine du Saba: Sous les pieds d'une femme (Recorded 1912) | Charles Gounod, Marcel Journet | B♭ Minor | 1 | 3A | 107 BPM |