Charles Gounod, Metropolitan Opera Orchestra, Fausto Cleva, Jussi Björling, Metropolitan Opera Chorus's ' "Faust, CG 4, ICG 61, Act I: "O coupe des aïeux" (Faust, Chœur)" was released on its scheduled release date, June 1, 2000. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Charles Gounod, Fausto Cleva, Metropolitan Opera Orchestra's "GOUNOD: FAUST" album is number 4 out of 57. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Faust, CG 4, ICG 61, Act I: "O coupe des aïeux" (Faust, Chœur) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Faust, CG 4, ICG 61, Act I: "O coupe des aïeux" (Faust, Chœur) by Charles Gounod, Metropolitan Opera Orchestra, Fausto Cleva, Jussi Björling, Metropolitan Opera Chorus to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria | Bertalan Hock, Charles Gounod | G Major | 2 | 9B | 63 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Estrellita | Manuel Ponce, Nikolaj Znaider | F♯ Major | 1 | 2B | 103 BPM | ||
Scarborough Fair (Arr. Parkin for Cello and Guitar) | Traditional, Sheku Kanneh-Mason, Plínio Fernandes | D Major | 0 | 10B | 117 BPM | ||
Petite Symphonie in B flat for 9 Wind Instruments: 3. Scherzo (Allegro moderato) | Charles Gounod, Saint Paul Chamber Orchestra, Christopher Hogwood | B♭ Major | 1 | 6B | 178 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Elgar: Salut d'amour | Edward Elgar, Kyung Wha Chung, Kevin Kenner | E Major | 1 | 12B | 79 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano) | Robert Schumann, Lynn Harrell, Bruno Canino | F Major | 0 | 7B | 67 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM |