Mikołaj Majkusiak, Klaudiusz Baran, Polish Radio Symphony Orchestra, Michał Klauza's 'Concerto Classico: III. Presto con fuoco' came out on November 11, 2022. Since Concerto Classico: III. Presto con fuoco is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Polish Accordion Concertos". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Concerto Classico: III. Presto con fuoco's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Concerto Classico: III. Presto con fuoco by Mikołaj Majkusiak, Klaudiusz Baran, Polish Radio Symphony Orchestra, Michał Klauza having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto: III. Electric | Christopher Schmitz, Amy Schwartz Moretti, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM | ||
Sunrise | Prorokk, Tomáš Kováčik | A Minor | 3 | 8A | 78 BPM | ||
Suite para cuerdas, Op. 9: III. Intermezzo | Roberto Caamaño, Buenos Aires Symphony Orchestra, Ministry of Education National Music Orchestra, Luis Gianneo | A Major | 2 | 11B | 121 BPM | ||
Túria (Agua salvaje) | Gabriel Andrés Gallegos, Budapest Art Orchestra | D Minor | 0 | 7A | 144 BPM | ||
Holocaust - In memoriam: II. To Victory | Maya Badian, Romanian National Orchestra, Ludovic Bacs | B Major | 3 | 1B | 110 BPM | ||
Les Heures persanes (Persian Hours), Op. 65bis: IX. Aubade (Morning Song) | Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger | B♭ Minor | 0 | 3A | 86 BPM | ||
Tristan und Isolde, WWV 90: Prelude (Excerpt) | Richard Wagner, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 0 | 8A | 66 BPM | ||
Ode to Odessa | Eva Wassermann, Luigi Magistrelli | E Major | 1 | 12B | 80 BPM | ||
Alcázar III | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | G Major | 1 | 9B | 125 BPM | ||
Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM |
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