London Symphony Orchestra, John Georgiadis made "Radetzky March, Op. 228" available on June 29, 2017. The duration of Radetzky March, Op. 228 is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Radetzky March, Op. 228's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 9 in Astrology & Zodiac Music - Aquarius by London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Based on our statistics, Radetzky March, Op. 228's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Radetzky March, Op. 228 by London Symphony Orchestra, John Georgiadis is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 2 | 5B | 173 BPM | ||
Bolero | London Symphony Orchestra | F Major | 3 | 7B | 71 BPM | ||
Requiem: II. Dies irae "Dies irae" | Giuseppe Verdi, London Symphony Orchestra, Gianandrea Noseda, London Symphony Chorus | C Minor | 3 | 5A | 91 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
The Thieving Magpie - From “A Clockwork Orange" | Gioachino Rossini, National Philharmonic Orchestra, Riccardo Chailly | E Major | 2 | 12B | 89 BPM | ||
Overture Prince Igor | Alexander Borodin, London Symphony Orchestra, Sir Georg Solti | B♭ Major | 2 | 6B | 76 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Giselle / Act 1: No. 8 Galop | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 96 BPM |
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