"Requiem: II. Dies irae "Dies irae"" by Giuseppe Verdi, London Symphony Orchestra, Gianandrea Noseda, London Symphony Chorus was released on April 7, 2017. The duration of Requiem: II. Dies irae "Dies irae" is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Requiem: II. Dies irae "Dies irae"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Requiem by Giuseppe Verdi, London Symphony Orchestra, Gianandrea Noseda, London Symphony Chorus. The song's track number on the album is #2 out of 20 tracks. In terms of popularity, Requiem: II. Dies irae "Dies irae" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem: II. Dies irae "Dies irae" by Giuseppe Verdi, London Symphony Orchestra, Gianandrea Noseda, London Symphony Chorus has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Requiem: II. Dies irae "Dies irae" being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod : Faust : Act 1 "Le veau d'or" [Méphistophélès, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | A♭ Major | 4 | 4B | 108 BPM | ||
The Planets, Op. 32: 1. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
Messa di Gloria, Op.posth., Gloria: Cum Sancto Spiritu in gloria Dei Patris - Gloria in excelsis Deo | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Major | 3 | 8B | 118 BPM | ||
Rossini: Il Barbiere di Siviglia: Overture | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E Major | 2 | 12B | 88 BPM | ||
Scythian Suite, Op. 20 - "Ala and Lolly": II. The Enemy God and the Dance of the Spirits of Darkness | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Major | 3 | 8B | 118 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
War Requiem, Op. 66: xii. Dies Irae - Dies irae | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, London Symphony Chorus, London Symphony Orchestra | B♭ Minor | 0 | 3A | 77 BPM | ||
Götterdämmerung Funeral Music | Richard Wagner, London Symphony Orchestra, Yondani Butt | F Minor | 0 | 4A | 83 BPM | ||
Palladio: 1. Allegretto (arr. for Strings Orchestra) | Karl Jenkins, Carmine Lauri, David Alberman, London Symphony Orchestra | D Minor | 3 | 7A | 90 BPM | ||
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, London Symphony Orchestra, Mstislav Rostropovich | G Major | 2 | 9B | 145 BPM |
Section: 0.7264282703399658
End: 0.7295563220977783