"La Sainte Ligue (La nuit est sombre) [D'après les Symphonies No. 5 et No. 7 de Beethoven]" by Luigi Bordèse, Jordi Savall was released on January 26, 2018. Since La Sainte Ligue (La nuit est sombre) [D'après les Symphonies No. 5 et No. 7 de Beethoven] is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Venezia Millenaria by Jordi Savall. The song's track number on the album is #17 out of 37 tracks. La Sainte Ligue (La nuit est sombre) [D'après les Symphonies No. 5 et No. 7 de Beethoven] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La Sainte Ligue (La nuit est sombre) [D'après les Symphonies No. 5 et No. 7 de Beethoven] by Luigi Bordèse, Jordi Savall has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La Sainte Ligue (La nuit est sombre) [D'après les Symphonies No. 5 et No. 7 de Beethoven] being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Con que la lavare | Miguel de Fuenllana, Shirley Rumsey | C Minor | 0 | 5A | 91 BPM | ||
Œuvres célèbres de Chopin (Excerpts): No. 9, Les traineaux [After Chopin's Op. 59 No. 1] | Luigi Bordèse, Karol Kozłowski, Andreas Schmidt, Wolfgang Brunner | F Major | 1 | 7B | 73 BPM | ||
Dos estrellas le siguen | Manuel Machado, Gérard Lesne | G Minor | 2 | 6A | 115 BPM | ||
Anchor che col partire' | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 138 BPM | ||
Improvisació llaüt | Michaël Grébil | C Major | 1 | 8B | 97 BPM | ||
Sequentia: Pie Jesu | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 76 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
I' vo' bene | Gherardello da Firenze, Palatino87 | E Minor | 1 | 9A | 84 BPM | ||
Mal un muta per effecto | Marchetto Cara, Shirley Rumsey | A Minor | 0 | 8A | 97 BPM | ||
Ja nus hons pris | Richard I of England, James Bowman, Early Music Consort Of London, David Munrow | D Minor | 0 | 7A | 80 BPM |
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