Richard I of England, James Bowman, Early Music Consort Of London, David Munrow's 'Ja nus hons pris' came out on October 2, 1971. The duration of Ja nus hons pris is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Ja nus hons pris's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Early Music Consort Of London, David Munrow's "Music of the Crusades" album is number 18 out of 19. Ja nus hons pris is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ja nus hons pris by Richard I of England, James Bowman, Early Music Consort Of London, David Munrow to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Agricola: Comme femme desconfortee | Alexander Agricola, David Munrow, Early Music Consort Of London | B♭ Major | 2 | 6B | 86 BPM | ||
Viderunt omnes... (4-part organum) | Pérotin, Tonus Peregrinus, Antony Pitts | D♭ Major | 3 | 3B | 180 BPM | ||
Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
Ghizeghem / Arr. Agricola: De tous biens plaine (Three-Part Instrumental Version I) | Hayne van Ghizeghem, David Munrow, Early Music Consort Of London | D Minor | 1 | 7A | 115 BPM | ||
Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM | ||
Missa "Et ecce terrae motus" A 12 voce: Kyrie: a. Kyrie eleison - Voice | Antoine Brumel, Huelgas Ensemble, Paul Van Nevel | C Major | 3 | 8B | 100 BPM | ||
Isorhythmic Motets: Apostolo glorioso - Cum tua doctrina - Andreas, Christi famulus | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | C Major | 1 | 8B | 109 BPM | ||
Orff: Carmina Burana: Part 4, Blanziflor et Helena, No. 24 "Ave formosissima" (Chorus) | Carl Orff, Janice Watson, James Bowman, Donald Maxwell, Bournemouth Symphony Chorus, Waynflete Singers, Highcliffe Junior Choir, Bournemouth Symphony Orchestra, David Hill | E Minor | 2 | 9A | 96 BPM | ||
Music Of The Gothic Era - Notre Dame Period: Sederunt principes | Pérotin, Early Music Consort Of London, David Munrow | C Major | 3 | 8B | 114 BPM | ||
Ockeghem: Prenez sur moi vostre exemple amoureux | Johannes Ockeghem, David Munrow, Early Music Consort Of London | B♭ Major | 0 | 6B | 75 BPM |
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