"Le Lac des cygnes, Acte II Scène 10: Scène (Moderato)" by Orchestre de Russie, Dmitry Yablonsky was released on October 18, 2017. The duration of Le Lac des cygnes, Acte II Scène 10: Scène (Moderato) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Le Lac des cygnes, Acte II Scène 10: Scène (Moderato)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Natalie Dessay, Orchestre de Russie, Dmitry Yablonsky's "Le lac des cygnes" album is number 10 out of 17. On top of that, France appears to be the country where this track was created. The popularity of Le Lac des cygnes, Acte II Scène 10: Scène (Moderato) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Lac des cygnes, Acte II Scène 10: Scène (Moderato) by Orchestre de Russie, Dmitry Yablonsky to be Vivace (lively and fast) because the track has a tempo of 173 BPM, a half-time of 86BPM, and a double-time of 346 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Torches Aloft | Colwell Snodbury | A Major | 5 | 11B | 128 BPM | ||
Johannes Brahms: Sinfonie Nr. 3 F-Dur op. 90 - III. Poco Allegretto | Royal Philharmonic Orchestra, Robert Bachmann | C Minor | 0 | 5A | 81 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
Symphony No. 8: IV. Rondo. Allegro molto vivace | Paul von Klenau, Singapore Symphony Orchestra, Hans Graf | D Major | 1 | 10B | 126 BPM | ||
Symphony No.4 in D minor, Op.120 (1841): II. Romanza: Andante | Robert Schumann, Bucharest Symphony Orchestra, John Axelrod | A Minor | 0 | 8A | 112 BPM | ||
Achmet und Zenide, Act IV: Marsch | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 2 | 6B | 108 BPM | ||
Fantasia dall'Italia: "Nel cor più non mi sento" dalla Bella Molinara di Giovanni Paisiello, Op. 4: VIII. Variazione VI Finale presto | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | G Major | 5 | 9B | 80 BPM | ||
Affrontement et apothéose | Natalie Dessay, Orchestre de Russie, Dmitry Yablonsky | F♯ Major | 2 | 2B | 85 BPM | ||
Symphony Fantastique in C Major, Op 14: V. Songe d' une nuit du Sabbat | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | F Major | 1 | 7B | 73 BPM | ||
Carnival of the Animals, R. 125: I. Introduction and Royal March of the Lions | Camille Saint-Saëns, Atlanta Symphony Orchestra, Yoel Levi, Itzhak Perlman | E Major | 0 | 12B | 84 BPM |
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