"Triumphe de L'Amour (1681): Entrée d'Apollon" by Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel was released on January 1, 2000. The duration of Triumphe de L'Amour (1681): Entrée d'Apollon is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Triumphe de L'Amour (1681): Entrée d'Apollon's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel, Jacques Cordier, Michel Lambert, Robert Cambert's "Lully: Le Roi Danse - Original Motion Picture Soundtrack" album is number 31 out of 35. In terms of popularity, Triumphe de L'Amour (1681): Entrée d'Apollon is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Triumphe de L'Amour (1681): Entrée d'Apollon by Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in C Minor, Op. 2, No. 2: I. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 107 BPM | ||
"Marche de triomphe et Second air de trompette" in D Major: II. Second air de trompette | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 8 | 3B | 121 BPM | ||
Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | ||
Les Indes Galantes - Suites des airs à Jouer (Sinfonies): VII. Tambourins I et II | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | F♯ Major | 4 | 2B | 76 BPM | ||
Concerto grosso No. 7 in D Major, Op. 6: V. Vivace | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 109 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 1 | 6A | 101 BPM | ||
Flute Sonata in E Minor: III. Presto | Frederick the Great, Berliner Barock Compagney | A♭ Minor | 1 | 1A | 128 BPM | ||
Concerto In A Major, Op.12, No.1: 3. Adagio | Jean-Baptiste Quentin, Musica Antiqua Köln, Reinhard Goebel | F Minor | 0 | 4A | 174 BPM | ||
Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 - If my Celia could persuade | Claudio Monteverdi, Alfred Deller, Deller Consort | F Minor | 3 | 4A | 92 BPM |
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