"I Will Lift Up Mine Eyes: III. The Lord is My Shepherd, alleluia" by Adolphus Hailstork, William Jewell College Concert Choir, Robert Lamar Sims, David M. Sanchez, Anthony J. Maglione was released on April 1, 2018. I Will Lift Up Mine Eyes: III. The Lord is My Shepherd, alleluia is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The track order of this song in William Jewell College Concert Choir, Anthony J. Maglione's "I Will Lift Up Mine Eyes" album is number 7 out of 16. The popularity of I Will Lift Up Mine Eyes: III. The Lord is My Shepherd, alleluia is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Will Lift Up Mine Eyes: III. The Lord is My Shepherd, alleluia by Adolphus Hailstork, William Jewell College Concert Choir, Robert Lamar Sims, David M. Sanchez, Anthony J. Maglione to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Francesca Dego, BBC Symphony Orchestra, Dalia Stasevska | C Major | 0 | 8B | 87 BPM | ||
Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto) | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
Nostalgie (Version for Cello & Piano) | Vaja Azarashvili, Alexander Suleiman, Irma Issakadze | E Minor | 3 | 9A | 168 BPM | ||
Concertino bianco: 1. Con intenerimento | Georgs Pelēcis, Johannes Fritzsch, Tamara-Anna Cislowska, Tasmanian Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Roses in a Box | Elena Kats-Chernin, William Howard | B Minor | 0 | 10A | 214 BPM | ||
Dido and Aeneas, Z. 626: When I am Laid in Earth (Dido's Lament, Arr. for Cello & Orchestra by Julian Riem) | Henry Purcell, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | G Minor | 1 | 6A | 79 BPM | ||
14 Romances, Op. 34/14: No. 14, Vocalise (Arr. For Cello & Piano by Alexander Shtrimer) | Sergei Rachmaninoff, Mikayel Hakhnazaryan, Lia Hakhnazaryan | E Minor | 1 | 9A | 105 BPM |
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